ened. I remember being made aware of his presence by his
sigh--the deepest, profoundest, sincerest sigh I ever heard from any
human being. He asked me if I would not play the piece again.

The incident impressed itself on my mind, inseparably associated with a
picture of him as he looked at thirty--a picture by no means pleasing.
He looked conceited, and almost savagely proud of the isolation in which
he lived. There was a touch of exaggeration in his appearance--a dash of
Werther, with a few flourishes of Jingle! Nervously sensitive to
ridicule, self-conscious, suffering deeply from his inability to express
himself through his art, Henry Irving, in 1867, was a very different
person from the Henry Irving who called on me at Longridge Road in 1878.

In ten years he had found himself, and so lost himself--lost, I mean,
much of that stiff, ugly, self-consciousness which had encased him as
the shell encases the lobster. His forehead had become more massive, and
the very outline of his features had altered. He was a man of the world,
whose strenuous fighting now was to be done as a general--not, as
hitherto, in the ranks. His manner was very quiet and gentle. "In
quietness and confidence shall be your strength," says the Psalmist.
That was always like Henry Irving.

And here, perhaps, is the place to say that I, of all people, can
perhaps appreciate Henry Irving least justly, although I was his
associate on the stage for a quarter of a century, and was on the terms
of the closest friendship with him for almost as long a time. He had
precisely the qualities that I never find likable.

He was an egotist--an egotist of the great type, _never_ "a mean
egotist," as he was once slanderously described--and all his faults
sprang from egotism, which is in one sense, after all, only another name
for greatness. So much absorbed was he in his own achievements that he
was unable or unwilling to appreciate the achievements of others. I
never heard him speak in high terms of the great foreign actors and
actresses who from time to time visited England. It would be easy to
attribute this to jealousy, but the easy explanation is not the true
one. He simply would not give himself up to appreciation. Perhaps
appreciation is a _wasting_ though a generous quality of the mind and
heart, and best left to lookers-on, who have plenty of time to develop
it.

I was with him when he saw Sarah Bernhardt act for the first time. The
play was "Ruy Blas