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The Project Gutenberg EBook of Raphael, by Alphonse de Lamartine This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Raphael Pages Of The Book Of Life At Twenty Author: Alphonse de Lamartine Release Date: July 25, 2004 [EBook #13019] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK RAPHAEL *** Produced by Ted Garvin, Keith M. Eckrich, and the PG Online Distributed Proofreaders Team [Illustration: ALPHONSE DE LAMARATINE.] RAPHAEL, or PAGES OF THE BOOK OF LIFE AT TWENTY BY ALPHONSE DE LAMARTINE _ILLUSTRATED BY SANDOZ_ SOCIETE DES BEAUX-ARTS PARIS, LONDON AND NEW YORK 1905 Comedie d'Amour Series INTRODUCTION It is all very well for Lamartine to explain, in his original prologue, that the touching, fascinating and pathetic story of Raphael was the experience of another man. It is well known that these feeling pages are but transcripts of an episode of his own heart-history. That the tale is one of almost feminine sentimentality is due, in some measure, perhaps, to the fact that, during his earliest and most impressionable years, Lamartine was educated by his mother and was greatly influenced by her ardent and poetical character. Who shall say how much depends on one's environment during these tender years of childhood, and how often has it not been proved that "the child is father to the man?" The marvel of it is that a man so exquisitely sensitive, of such extraordinary delicacy of feeling, should have been able, in later years, to stand the storm and stress of political life and the grave responsibilities of statesmanship. Although not written in metrical form, Raphael is really a poem--a prose poem. Never upon canvas of painter were spread more delicate tints, hues, colors, shadings, blendings and suggestions, than in these pages. Not only do we find ourselves, in the descriptions of scenery, near to Nature's heart, but, in the story itself, near to the heart of man. Aix in Savoy was, in Lamartine's time, a fashionable resort for valitudinarians and invalids. Among the patrons of the place was Madame Charles, whose memory Lamartine has immortalized as "Julie" in Raphael and as "Elvire" in the
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