ble to change and death, than if it were
degraded and profaned by unworthy delights? If ever," she added, after
a short silence, and blushing deeply, "if ever, in a moment of frenzy
and incredulity, you exacted from me such a proof of abnegation, the
sacrifice would not only be one of dignity, but of existence; in
robbing my love of its innocency, you would rob me of life; when you
thought to embrace happiness, you would clasp only death in your arms;
I am but a shade, and in one sigh I may exhale my soul!..."

We remained silent for some time. At last, with a deep-drawn sigh, I
said, "I understand you, and in my heart I had sworn the eternal
innocency of my love, before you had done speaking, or required it of
me."

XXII.

My resigned tone seemed to delight her, and to redouble the confiding
charm of her manner. Night had spread over all, the stars glassed
themselves in the lake, and the silence of Nature lulled the earth to
rest. The winds, the trees and waves were hushed, to let us listen to
all the fugitive impressions of feeling and of thought that whisper in
the hearts of the happy. The boatmen sang snatches of their drawling
and monotonous chants, which seem like the noted modulations of the
waves on the shore. I was reminded of her voice, which seemed ever to
sound in my ear, and I exclaimed, "Oh, that you would mark this
enchanting night for me, by some sweet tones addressed to these winds
and waves, so that they may be forever full of you!" I made a sign to
the boatmen to be silent, and to stifle the sound of their oars, from
which the drops came trickling back into the lake like a musical
accompaniment of silvery notes. She sang a Scotch ballad, half naval
and half pastoral, in which a young girl, whose sailor lover has left
her to seek wealth beyond the seas, relates how her parents, wearied of
waiting his return, had induced her to marry an old man, with whom she
might have been happy, but for the remembrance of her early love. The
ballad begins thus:

"When the sheep are in the fauld and the ky at hame,
And a' the weary warld to rest are gane,
The waes of my heart fa' in showers frae my e'e,
While my gude-man lies sound by me."

After each verse there is a long revery, sung in vague notes, without
words, which lulls the heart with unspeakable melancholy, and brings
tears into the eyes and voice. Each succeeding verse takes up the story
in the dull and distant tone of me