in my hands. She had noted my ardent pity,
and my ardent prayer, and had recognized me by the clear light of
morning, which now streamed into the chamber. When she had fainted she
was lonely and indifferent, and had revived under the tender care, and
perhaps the love of a pitying stranger. She, who, in the neglected
flower of her days, had been deprived of all the kindred ties of the
heart, had unexpectedly found in me the care and pity, the tears and
prayers, of a youthful brother; and that tender name had escaped her
lips at the moment that returning life gave her the consciousness of so
great a joy.
"A brother! Ah, no, not a brother!" I exclaimed, reverently removing
her hand from my brow, as though I had not been worthy of her touch,
"not a brother, but a slave, a living shadow following on your steps,
who asks but one blessing of Heaven, and one felicity on earth--the
right of remembering this night; who only desires to preserve eternally
the image of the superhuman vision he would wish to follow unto death,
or for whom alone he could bear to live." As I faltered out these words
in a low voice, the rosy tints of life gradually reappeared on her
cheeks, a sad smile, implying an obstinate unbelief in happiness,
played round her mouth, and she raised her eyes to the ceiling, as
though they listened to words which responded not to the ear, but to
the thoughts. Never was the change from life to death, from a dream to
reality, so rapid; on her countenance, now blooming with youth and
refreshed by rest, surprise, languor, delight, repose, joy and
melancholy, timidity and grace were all painted in quick succession.
Her radiance seemed to illumine the dark recess more than the light of
morning. There existed more languor, more revealings, more sympathy in
her looks and silence, than in millions of words. The human face speaks
a language to the eye, and in youth the countenance is an instrument of
which one look of passion sweeps the keys. It transmits from soul to
soul mysteries of mute communion, which cannot be translated into
words. My countenance, too, must have revealed what I felt to those
eyes which were bent so earnestly upon me. My damp clothes, my long,
dishevelled hair, my eyes heavy with watching, my pale and anxious
looks, the pious enthusiasm with which I bent before the holiness of
suffering beauty, my emotion, joy, and surprise, the dimness of the
room in which I durst not take a step for fear of dispellin
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