y undulated line. A few jagged peaks of gray
rock at the eastern extremity alone break the almost geometrical
monotony of its appearance, and tell that it was the hand of God, and
not of man, that piled up these huge masses. Towards Chambery, the
mountain descends by gentle steps to the plain, and forms natural
terraces, clothed with walnut and chestnut trees, entwined with
clusters of the creeping vine. In the midst of this wild, luxuriant
vegetation, one sees here and there some country-house shining through
the trees, the tall spire of a humble village, or the old dark towers
and battlements of some castle of a bygone age. The plain was once a
vast lake, and has preserved the hollowed form, the indented shores,
and advanced promontories of its former aspect; but in lieu of the
spreading waters, there are the yellow waves of the bending corn, or
the undulating summit of the verdant poplars. Here and there, a piece
of rising ground, which was once an island, may be seen with its
clusters of thatched roofs, half hidden among the branches. Beyond this
dried-up basin, the Mont du Chat rises more abrupt and bold, its base
washed by the waters of a lake, as blue as the firmament above it. This
lake, which is not more than six leagues in length, varies in breadth
from one to three leagues, and is surrounded and hemmed in with bold,
steep rocks on the French side; on the Savoy side, on the contrary, it
winds unmolested into several creeks and small bays, bordered by
vine-covered hillocks and well-wooded slopes, and skirted by fig-trees
whose branches dip into its very waters. The lake then dwindles away
gradually to the foot of the rocks of Chatillon, which open to afford a
passage for the overflow of its waters into the Rhone. The burial-place
of the princes of the house of Savoy, the abbey of Haute-Combe, stands
on the northern side upon its foundation of granite, and projects the
vast shadow of its spacious cloisters on the waters of the lake.
Screened during the day from the rays of the sun by the high barrier of
the Mont du Chat, the edifice, from the obscurity which envelops it,
seems emblematical of the eternal night awaiting at its gates, the
princes who descend from a throne into its vaults. Towards evening,
however, a ray of the setting sun strikes and reverberates on its
walls, as a beacon to mark the haven of life at the close of day. A few
fishing boats, without sails, glide silently on the deep waters,
beneath th
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