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101 APPENDIX B.--Musical Instruments 112 1. Two classes. 2. Piano. 3, 4. Organ, reed and pipe. 5. Instruments used for ensemble playing. 6. Band. 7. Orchestra. 8. The stringed instruments. 9. Wood-wind. 10. Brass. 11. Percussion. 12. Proportion of instruments, in an orchestra. 13. Books recommended. 14. Violin. 15. Viola. 16. Violoncello. 17. Double-bass. 18. Flute. 19. Piccolo. 20. Oboe family. 21. Clarinet and bass clarinet; saxophone. 22. French horn. 23. Trumpet. 24. Cornet. 25. Trombone. 26. Tuba. 27. Kettle-drum. 28. Harp. APPENDIX C.--Acoustics 131 1. Definition. 2. Sound, production of. 3. Sound, transmission of. 4. Rate of travel. 5. Intensification of. 6. Classification of. 7. Tones, properties of. 8. Pitch. 9. Intensity. 10. Quality. 11. Overtones. 12. Equal temperament. 13. Standards of pitch. APPENDIX D.--Terminology Reform 139 APPENDIX E.--Analysis of Beethoven Sonata, Op. 31, No. 3 149 PRONOUNCING INDEX 159 CHAPTER I SOME PRINCIPLES OF CORRECT NOTATION 1. The _note_ (from _nota_--Latin--a mark or sign) consists of either one, two, or three parts, ([Illustration]) these being referred to respectively as head, stem, and hook. The hook is often called _tail_ or cross-stroke. The stem appears on the right side of the head when turned up, but on the left side when turned down.[1] [Illustration] The hook is always on the right side.[2] [Illustration] [Footnote 1: It should be noted at the outset that this statement regarding the down-turned stem on the left side of the note-head, and also a number of similar principles here cited, refer more specifically to music as it appears on the printed page. In the case of hand-copied music the down-turned stem appears on the right side of the note, thus [note symbol]. This is done because of greater facility in writing, and for the same reason other slight modifications of the notation here recommended may sometimes be encountered. In dealing with children it is best usually to follow as closely as possible the principles according to which _printed_ music is notated, in order to avoid those non-satisfying and often embarrassing explanations of dif
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