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A below middle C, the fourth line the first F below middle C, etc. [Footnote 5: The word _clef_ is derived from _CLAVIS_--a key--the reference being to the fact that the clef unlocks or makes clear the meaning of the staff, as a key to a puzzle enables us to solve the puzzle.] The student should note that these clefs are merely modified forms of the letters G and F, which (among others) were used to designate the pitches represented by certain lines when staff notation was first inaugurated. For a fuller discussion of this matter see Appendix A, p. 101. [Transcriber's Note: Corrected error "Appendix I" in original.] 16. When the G clef is used the staff is usually referred to as the _treble staff_, and when the F clef is used, as the _bass staff_. Such expressions as "singing from the treble clef," or "singing in the treble clef," and "singing in the bass clef" are still frequently heard, but are preferably replaced by "singing from the treble staff," and "singing from the bass staff." Fig. 6 shows the permanent names of lines and spaces when the G and F clefs are used.[6] [Footnote 6: The Germans use the same pitch designations as we do with two exceptions, viz., our B is called by them H, and our B[flat] is called B. The scale of C therefore reads: C, D, E, F, G, A, H, C; the scale of F reads F, G, A, B, C, D, E, F. The signatures are in all cases written exactly as we write them. In France and Italy where the "fixed DO" system is in vogue, pitches are usually referred to by the syllable names; _e.g._, C is referred to as DO (or UT), D as RE, etc.] [Illustration: Fig. 6.] 17. _The movable C clef_ [C clef symbol] or [tenor clef symbol], formerly in very common use, is now utilized for only two purposes, viz., (1) in music written for certain orchestral instruments (cello, viola, etc.) of extended range, in order to avoid having to use too many leger lines; and (2) for indicating the tenor part in vocal music. This latter usage seems also to be disappearing however, and the tenor part is commonly written on the treble staff, it being understood that the tones are to be sung an octave lower than the notes would indicate. The C clef as used in its various positions is shown in Figs. 7, 8, and 9. It will be noted that in each case the line on which the clef is placed represents "middle C." [Illustration: Fig. 7. Soprano clef.] [Illustration: Fig. 8. Alto clef.] [Illustration: Fig. 9. Tenor clef.]
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