restraint. Uncurbed by law or
delicacy, they wrote at random; and at random wrote some pages worthy
posterity--but along with these, they produced others, which disgrace
the age that reprints and circulates them.

It might be deemed suspicious to insinuate, that those persons, perhaps,
who so vehemently exclaim against modern dramas, give up with reluctance
the old prerogative of listening to wit and repartee, which would make
the refined hearer of the present day blush, and the moral auditor
shudder.

To those who can wisely bear with the faults of their own time, nor
think all that is good is gone by, the representation of the present
comedy will give high entertainment; particularly in those scenes in
which Vapid is concerned.--Reynolds could hardly mistake drawing a
faithful portrait of this character, for it is said--he sat for himself.

Yet those, who expect to be highly delighted with "The Dramatist," must
bring with them to the theatre a proper acquaintance with the stage, and
also of its power over certain of its votaries.

If attraction, if bursts of applause, and still less equivocal
approbation, bursts of laughter, constitute perfect success to a comic
writer, Mr Reynolds, in this, as well as in other of his comedies, has
been preeminently successful.

In this comedy, however, and, perhaps, in one or two more he has
written, there is an obstacle to his independent merit as an author--an
obstacle which too many dramatic writers willingly place in their path
to lasting reputation. He has written for one particular actor to
support his play--Lewis--more worthy to be thus considered than almost
any other performer: but here his very skill gives the alarm--for Lewis
possesses such unaffected spirit on the stage, a kind of vivid fire,
which tempers burlesque with nature, or nature with burlesque, so
happily, that it cannot be hoped any other man will easily support those
characters written purposely for him.

Be that as it may--when Reynolds can no more enliven a theatre by his
Dramatist, this comedy will grow dull in excellent company--for
Congreve's "Way of the World" was hissed, it is said, from a London
stage, the last time it was acted, for insipidity.

DRAMATIS PERSONAE.

LORD SCRATCH _Mr Quick._
HARRY NEVILLE _Mr Holman._
FLORIVILLE _Mr Blanchard._
WILLOUGHBY _Mr Macready._
ENNUI _Mr Munden._
PETER