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The Project Gutenberg eBook, The Dramatist; or Stop Him Who Can!, by Frederick Reynolds This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Dramatist; or Stop Him Who Can! A Comedy, in Five Acts Author: Frederick Reynolds Release Date: February 23, 2010 [eBook #31374] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE DRAMATIST; OR STOP HIM WHO CAN!*** E-text prepared by Steven desJardins and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 31374-h.htm or 31374-h.zip: (http://www.gutenberg.org/files/31374/31374-h/31374-h.htm) or (http://www.gutenberg.org/files/31374/31374-h.zip) THE DRAMATIST; OR, STOP HIM WHO CAN! A Comedy, in Five Acts; by FREDERICK REYNOLDS. As Performed at the Theatre Royal, Covent Garden. Printed Under the Authority of the Managers from the Prompt Book. With Remarks by Mrs Inchbald. [Illustration: DRAMATIST VAPID--PROLOGUE OR EPILOGUE! I'M YOUR MAN:--I'LL WRITE YOU BOTH. ACT II. SCENE II PAINTED BY SINGLETON. PUBLISHD BY LONGMAN & CO. ENGRAVD BY ENGLEHEART.] London: Printed for Longman, Hurst, Rees, Orme, and Brown, Paternoster Row. Edinburgh: Printed by James Ballantyne and Co. REMARKS. Plays of former times were written to be read, not seen. Dramatic authors succeeded in their aim; their works were placed in libraries, and the theatres were deserted.--Now, plays are written to be seen, not read--and present authors gain their views; for they and the managers are enriched, and the theatres crowded. To be both seen and read at the present day, is a degree of honour, which, perhaps, not one comic dramatist can wholly boast, except Shakspeare. Exclusive of his, scarcely any of the very best comedies of the best of former bards will now attract an audience: yet the genius of ancient writers was assisted by various tales, for plots, of which they have deprived the moderns; they had, besides, the privilege to write without either political or moral
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