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s to the brink of gulfs whose mysteries we had no desire to explore. After we had advanced nearly two miles in this manner, ascending rapidly all the time, a hollow reverberation, and a glimpse of profounder abysses ahead, revealed the neighbourhood of the Riukan. All at once patches of lurid gloom appeared through the openings of the birch thicket we were threading, and we came abruptly upon the brink of the great chasm into which the river falls. The Riukan lay before us, a miracle of sprayey splendour, an apparition of unearthly loveliness, set in a framework of darkness and terror befitting the jaws of hell. Before us, so high against the sky as to shut out the colours of sunset, rose the top of the valley--the level of the Hardanger table land, on which, a short distance further, lies the Mios-Vand, a lovely lake, in which the Maan Elv is born. The river first comes into sight a mass of boiling foam, shooting around the corner of a line of black cliffs which are rent for its passage, curves to the right as it descends, and then drops in a single fall of 500 feet in a hollow caldron of bare black rock. The water is already foam as it leaps from the summit; and the successive waves, as they are whirled into the air, and feel the gusts which for ever revolve around the abyss, drop into beaded fringes in falling, and go fluttering down like scarfs of the richest lace. It is not water, but the spirit of water. The bottom is lost in a shifting snowy film, with starry rays of foam radiating from its heart, below which, as the clouds shifts, break momentary gleams of perfect emerald light. What fairy bowers of some Northern Undine are suggested in those sudden flashes of silver and green! In that dim profound, which human eye can but partially explore, in which human foot shall never be set, what secret wonders may still lie hidden! And around this vision of perfect loveliness, rise the awful walls wet with spray which never dries, and crossed by ledges of dazzling turf, from the gulf so far below our feet, until, still further above our heads, they lift their irregular cornices against the sky. I do not think I am extravagant when I say that the Riukan Foss is the most beautiful cataract in the world. I looked upon it with that involuntary suspension of the breath and quickening of the pulse, which is the surest recognition of beauty. The whole scene, with its breadth and grandeur of form, and its superb gloom of colou
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