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e object in view of which he never lost sight, and moreover that the object which he aimed at has been fully consummated. The Winter Palace is grand in every respect. Its size may be divined when we realize that it accommodates six thousand persons connected with the royal household. With the exception of the Vatican at Rome, and Versailles near Paris, it is the largest habitable palace in existence, and is made up of suits of splendid apartments, reception saloons, drawing-rooms, throne rooms, banqueting-halls, etc. The gem of them all is the Salle Blanche, or White Hall, so called because the fittings and decorations are all in white and gold, by means of which an aerial lightness and fascination of effect is produced which is difficult to describe. It is in this apartment that the court festivals take place, and there are probably no royal entertainments in Europe which quite equal in splendor those given in the Winter Palace. One becomes almost dazed by the glare of gilt and bronze, the number of polished columns of marble and porphyry, the gorgeous hangings, the mosaics, mirrors, and candelabra. Many of the painted ceilings are wonderfully perfect in design and execution, while choice works of art are so abundant on all sides as to lose effect. The famous banqueting-hall measures two hundred feet in length by one hundred in breadth. As we come forth from the palace through the grand entrance upon the square, it is natural to turn and scan the magnificent front as a whole, and to remember that from the gate of this palace Catharine II. went forth on horseback with a drawn sword in her hand, to put herself at the head of her army. The Hermitage, of which the world has read so much, is a spacious building adjoining the Winter Palace, with which it is connected by a covered gallery, and is five hundred feet long where it fronts upon the square containing the Alexander Column. It is not, as its name might indicate, a solitude, but a grand and elaborate palace in itself, built by Catharine II. for a picture gallery, a museum, and a resort of pleasure. It contains to-day one of the largest as well as the most precious collections of paintings in the world, not forgetting those of Rome, Florence, Paris, and Madrid. The catalogue shows twenty original pictures by Murillo, six by Velasquez, sixty by Rubens, thirty-three by Vandyke, forty by Teniers, the same number by Rembrandt, six by Raphael, and many other invaluable e
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