ver and careful. My husband is a schoolboy.
I can only trust a schoolboy with a tutor."
We are at dinner when the Signor arrives.
He enters in a state of great excitement.
"Ah!" he exclaims, "'Ow do you do?" this to everyone generally. "Ah
Deeck!" this to Milburd, reproachfully. "Vy you not meet me at ze
Rail-vays?"
"You'd better go and dress yourself, Mr. Regniati," remarks Madame,
drily, finishing her soup, "or you won't have any dinner."
"My dear!" he cries, "No din-ner! I am so 'ongry. I 'ave no-sing to eat
since my break-fast."
"You should have been here before," says Madame.
"My Jo!" he exclaims, in a very high key, almost between laughing and
crying. I find out that "My Jo," is _his_ rendering of "By Jove!"--a
very harmless oath--"My Jo! I could not!" Then he enters appealingly to
us into an explanation. "Madame Regniati vas in ze car-ri-age, and she
say to me, Mr. Regniati, she say, I did not see ze boxes-put-in,"--this
is all one word.--"I say my dear eet ees all right. She say No you go
see it, for I tinks not. Den I go. I say vere ees my box, but I see
no-sing, no veres, den ven I try to find my car-ri-age again ze train
goes off. I jomp into a carri-age and a man say you most not do zat, but
I tomble in. I do not know vere de train goes to, but it vas not to come
'ere and ven I stop--My Jo!--dey ask-a-me for my tee-kets. 'I 'ave not
zem,' I say, 'my vife 'as zem.' Zen zey say to me I most buy vun. My Jo!
I say I can-not! I 'ave no money. I vant I say to go to Blackmeer. Oh
zey say zat is on a-noser line, in a-noser contry. My Jo! I say to 'im
vot shall I do? Zen I meet a gentle-mans who know me and he say----"
"Nonsense, Mr. Regniati. I believe you stopped at the refreshment-room
in London----"
"Oh My Jo! my dear! I as-sure you," he commences, but Madame cuts him
short.
"Go and dress, Mr. Regniati," she says, "and don't be long. Dick, show
Mr. Regniati his room, and bring him down in five minutes. Don't let him
chatter."
Milburd takes his uncle out, and we hear him repeating his story to his
nephew, as he crosses the hall, and ascends the stairs.
[Illustration: "PIGGY WIGGY."]
CHAPTER XVII.
SUNDAY--SUNDAY REASONS--A CHAMBER DIALOGUE.
_Sunday Meditations._--When we first saw this place we called it The
House of Good Intentions. It recurs to me forcibly at this moment, as I
look over my note-book.
Under the heading of "Operanda," or Works to
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