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esolate, and did we not reflect that, but for such vicissitudes, mankind must have attained a far greater degree of excellence than has been reached at the present day. The first kind of composition attempted by the mind of man is that which expresses religious feelings, and the idea that there exists a being greater than himself. That dim searching after something beyond experience could seldom confine itself to its legitimate direction, but by dreams and hopes, and by the love of the marvellous--that early source of idealism--strayed into a variety of fabulous and legendary mazes. Hence arose all the strange and grotesque myths about heathen gods and Christian saints which occupy the shadowy borders between chaos and history. The stories which were current in this country in early times spoke of miracles worked by the Virgin, represented St. Christopher as a giant twenty-four feet high, and related how "Seynt Pateryk" banished the "wormes" from Ireland; or sometimes would draw from the rich mine of Rabbinical tradition such allegorical fictions as that, when Noah planted the vine, Satan was present and sacrificed a sheep, a lion, an ape, and a sow, representing the different stages of inebriety.[34] But man's awakening thoughts turn not only to his Protector above, but also to his enemies below, and thus the exploits of warlike heroes, who generally combine the religious with the military character, easily became tempting themes for the exercise of fancy. There is reason to believe that the earliest British legends recorded the glories of King Arthur--the defender of Christianity against the worshippers of Odin. The origin of these accounts have been traced by some to Scandinavian, by some to Arabian sources, but we may suppose them to have arisen among those ancient British people who inhabited Wales and Cornwall,[35] and passed over in the fifth and sixth centuries to Brittany (Armorica). It matters little for our present purpose whence they came, they were full of extravagant and supernatural occurrences. The names of two shadowy warriors, Sir Bevis and Sir Guy, seem to have been handed down from Saxon times, probably by oral tradition; the former is said to have performed prodigies of valour in the South, and the latter in the North of England. The literature which has come down to us from this date (with the exception of an ode of triumph) is purely of a religious character, and adorned with a variety of mir
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