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hority over her in future? Would she not become still more difficult to manage if she knew how indispensable she was? I continued to hesitate. Then Henry spoke. "We've managed admirably," he said. "Your mistress has been wonderful. Her cooking has absolutely surprised me." I blessed Henry (the devil!) in that moment. "Thank you, dear," I murmured. Then Elizabeth spoke and there was a note of relief in her voice. "Well, I'm reerly glad to 'ear that, as I can go off to-morrer after all. I 'aven't been for my 'oliday yet, like." "What do you mean?" I gasped. "Well, you see, 'm, my young man didn't turn up at the station, so I went and stayed with my sister-in-law at Islington. She wants me to go with 'er to Southend early to-morrer, but I thort as 'ow I'd better come back 'ere first and see if you reerly could manage without me, for I 'ad my doubts. 'Owever, as everythink's goin' on orl right I can go with an easy mind." I remained speechless. So did Henry. Elizabeth went out again into the darkness. There was a long pause, broken only by my hay fever. Then Henry spoke. "Can't you stop that everlasting sniffing?" he barked out. "It's driving me mad, woman." * * * * * [Illustration: OUR VILLAGE SOLOMON. _First Rustic._ "D'YE 'EAR OLD DADDY SMITH'S COTTAGE WAS BURNT DOWN LAST NIGHT?" _Second Rustic (of matured wisdom)._ "I BEAN'T SURPRISED. WHEN I SEES THE SMOKE A-COMING THROUGH THE THATCH I SEZ TO MYSELF, 'THERE'S SELDOM SMOKE WITHOUT FIRE.'"] * * * * * "REQUIRED an English or French resident governess for children from 30 to 45 years old, having notions of music."--_Standard (Buenos Ayres)._ We are glad they have picked up something during their prolonged juvenescence. * * * * * AUTHORSHIP FOR ALL. [Being specimens of the work of Mr. Punch's newly-established Literary Ghost Bureau, which supplies appropriate Press contributions on any subject and over any signature.] IV.--WHAT'S WRONG WITH THE DRAMA? _By Marcus P. Brimston, the gifted producer of "Shoo, Charlotte!"_ I have been invited to say a few words to readers of _The Sabbath Scoop_ on the alleged decay of the British drama. There is indeed some apparent truth in this allegation. On all sides I hear managers sending up the same old wail of dwindling box-office receipts and houses packed with ghastly rows of deadheads.
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