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st as well as OLGA HARTLEY, who chronicles but does not explain; and this is a pity, for with a rather different treatment she might have made her heroine a very likeable person. Looked at from another point of view, _Anne_ may be taken as a mild piece of propaganda against divorce. I am glad it didn't come to that, of course, but I do feel that a cross-examining K.C. would have discovered a good deal more about Anne's soul for me than I learnt from the writer of her story. * * * * * _John Fitzhenry_ (MILLS AND BOON) is one of those pleasant stories about people who live in big country houses, a subject that seems to have a particular attraction for the large and ungrudging public which lives in villas. We have already several novelists who tell them very ably, and I feel that some one among them has served as Miss ELLA MACMAHON'S model. The tale deals with the affairs of a showy fickle cousin and a silent constant cousin who compete for the love of the same delightful if rather nebulous young woman, and moves to its _denouement_, against a background of the great War, which Miss MACMAHON has very sensibly decided to view entirely from the home front. It contains some fine thinking and some bad writing (the phrase telling of the middle-aged smart woman who "waved her foot impatiently" gives a just idea of the author's occasional inability to say what she means), some quite extraneous incidents and some scenes very well touched in. The people, with a few exceptions, are of the race which inhabits this sort of book, and, as we have long agreed with our novelists that "the county" is just like that, I don't see why Miss MACMAHON should be blamed for it. * * * * * Mr. COSMO HAMILTON lays the scene of _His Friend and His Wife_ (HURST AND BLACKETT) in the Quaker Hill Colony of Connecticut, the members of which were typically "nice" and took themselves very seriously. So when one of them brought a divorce suit against her husband there was a feeling that the colony's reputation had been irremediably besmirched. Mr. HAMILTON can be trusted to create tense situations out of the indiscretions of an erring couple, but he also contrives, in spite of its artificial atmosphere, to make us believe in this society, though he tried me rather hard with a scandalmongress of the type we happily meet less often in life than in fiction. I hope he will not be quite so dental
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