in many of the smaller Italian towns. The American museums,
especially those in New York, Boston and Philadelphia, have some fine
examples.
LITERATURE.--F. Argnani, _La Ceramiche et maioliche faentine_ (Faenza,
1889 and 1903); D. Bonghi, _Intorno alle Majoliche di Castelli_
(Naples, 1856); Professor Douglas, "Siena," in the _Nineteenth
Century_, September 1900; Hensel, _Essai sur la majolique_ (Paris,
1836); G.I. Montanari, _Majoliche dipinte nella collezione del N.S.C.
Domenico Mazza_ (Pesaro, 1836); L. Frati, _Di un insigna raccolta di
majoliche_ (Bologna, 1844); also _Di un pavimento in majolica_
(Bologna, 1853); J.C. Robinson, _Italian Sculpture of the Middle Ages_
(London, 1862); E. Darcel, _Musee du Louvre: Notice des faiences
peintes_; Drury E. Fortnum, _Contribution to the History of Pottery_
(London, 1868); Delange, _Recueil de faiences italiennes du XV^e au
XVII^e siecle_ (Paris, 1869); M. Meurer, _Italienische Maiolika
Fliesen_ (Berlin); E. Molinier, _Les Majoliques italiennes en Italie_
(Paris, 1883), also _La Ceramique italienne au XV^e siecle_ (Paris,
1888); C. Piccolpasso, _I tre libri dell' arte del Vasajo_, Castel
Durante 1548 (original MS.) and translations by C. Popelyn, Paris,
1841 and 1860, also Italian editions of Rome and Milan; V. Lazari,
_Notizia della raccolta Correr_ (Venice, 1859); Drury E. Fortnum, _A
Descriptive Catalogue of the Majolica in the South Kensington Museum_
(London, 1873); Beckwith, _Majolica and Faience_ (New York, 1877); G.
Corona, _La Ceramica_ (Milan, 1878); G. Vanzolini, _Istoria delle
fabbriche di majoliche metaurensi_ (Pesaro, 1879); A. Genolini,
_Majoliche italiane_ (Milan, 1881); Mely, _La Ceramique italienne_
(Paris, 1884); J.E. Jacobsthal, _Sud-italienische Fliesen_ (Berlin,
1886); Bertolotti, _Figulini, fonditori, e scultori_ (Milan, 1890); H.
Wallis, _Italian Ceramic Art_ (1897), _The Oriental Influence on the
Ceramic Art of the Italian Renaissance_ (1900), _The Art of the
Precursors_ (1901), _The Majolica Pavements of the Fifteenth Century_
(1902), _Oak-leaf Jars: A Fifteenth Century Italian Ware_ (1903), _The
Albarello_ (1904), also _Seventeen Plates by Nicola Fontana_ (1905),
and _Italian Ceramic Art: Figure Designs_ (1905); Tesorone, _L'Antico
Pavimento delle Logge di Raffaello in Vaticano_ (Naples, 1891);
Columba, _Il "Quos Ego" di Raffaello_ (Palermo, 1895); Drury E.
Fortnum, _Majolica_
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