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lection in the British Museum; the Victoria and Albert Museum, where the famous collection of Mr George Salting has for years been displayed, together with the collections belonging to the museum. Paris, the Grandidier collection at the Louvre; the collection at the Musee Guimet; the Sevres Museum. Fontainebleau, the Musee Chinoise. Dresden, the Porcelain Collection--the oldest in Europe. Boston, the Museum of Fine Arts. New York, the Metropolitan Museum containing the Garland and other collections. Washington, the Hippisley collection; as well as magnificent private collections, at the head of which is that of the late W.T. Walters of Baltimore. LITERATURE.--The older European works on Chinese porcelain have been superseded by the later books. The following list contains the best recent books:--S.W. Bushell, _Oriental Ceramic Art_ (New York, 1897; text separately 1899); _Chinese Porcelain before the present Dynasty_ (Pekin, 1886); _Chinese Art_, vol. ii., Victoria and Albert Museum Handbooks (1906); Brongniart, _Traite des arts ceramiques_ (3rd edition, with valuable supplements by Salvetat, 1877); Dillon, _Porcelain_ (1900); Sir A.W. Franks, _Catalogue of Oriental Pottery and Porcelain_ (1878); Grandidier, _La Ceramique chinoise_ (1894); Griggs, _Examples of Armorial China_ (1887); Hippisley, _Ceramic Arts in China_ (Smithsonian Institute, Washington, 1890); Hirth, _Ancient Chinese Porcelain_ (Leipzig, 1888); Julien, _Histoire et fabrication de la porcelaine chinoise_ (Paris, 1856); Meyer, _Lung-chuan Yao, oder alter Seladon Porzellan_ (Berlin, 1889); Monkhouse, _History of Chinese Porcelain_ (1901); O. du Sartel, _La Porcelaine de Chine_ (Paris, 1881); Burton, _Porcelain_ (1906); Bushell and Laffan, _The Garland Collection in the Metropolitan Museum of New York_ (1907). (W. B.*) EUROPEAN PORCELAIN TO THE END OF THE 18TH CENTURY Europe can claim no share in the discovery of porcelain, the white and translucent pottery _par excellence_, for when the first specimens of Chinese porcelain were brought to Europe, perhaps as early as the 11th or 12th century, they excited the greatest wonder and admiration. Cairo was at this time the great mart for the exchange of the products of East and West, and from this centre porcelains were sent into Europe. Nasir i Khosrau, the Persian traveller, who visited Old Cairo in A.D. 1035-1042, was evidently acquainted wit
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