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Byron, how he "strikes" them; but unless we are ourselves saturated with his thought and style, unless we learn to breathe his atmosphere by reading the books which he read, picturing to ourselves the scenes which he saw,--unless we aspire to his ideals and suffer his limitations, we are in no way entitled to judge his poems, whether they be good or bad. Byron's metrical "Tales" come before us in the guise of light reading, and may be "easily criticized" as melo-dramatic--the heroines conventional puppets, the heroes reduplicated reflections of the author's personality, the Oriental "properties" loosely arranged, and somewhat stage-worn. A thorough and sympathetic study of these once extravagantly lauded and now belittled poems will not, perhaps, reverse the deliberate judgment of later generations, but it will display them for what they are, bold and rapid and yet exact presentations of the "gorgeous East," vivid and fresh from the hand of the great artist who conceived them out of the abundance of memory and observation, and wrought them into shape with the "pen of a ready writer." They will be once more recognized as works of genius, an integral portion of our literary inheritance, which has its proper value, and will repay a more assiduous and a finer husbandry. I have once more to acknowledge the generous assistance of the officials of the British Museum, and, more especially, of Mr. A. G. Ellis, of the Oriental Printed Books and MSS. Department, who has afforded me invaluable instruction in the compilation of the notes to the _Giaour_ and _Bride of Abydos_. I have also to thank Mr. R. L. Binyon, of the Department of Prints and Drawings, for advice and assistance in the selection of illustrations. I desire to express my cordial thanks to the Registrar of the Copyright Office, Stationers' Hall; to Professor Jannaris, of the University of St. Andrews; to Miss E. Dawes, M.A., D.L., of Heathfield Lodge, Weybridge; to my cousin, Miss Edith Coleridge, of Goodrest, Torquay; and to my friend, Mr. Frank E. Taylor, of Chertsey, for information kindly supplied during the progress of the work. For many of the "parallel passages" from the works of other poets, which are to be found in the notes, I am indebted to a series of articles by A. A. Watts, in the _Literary Gazette,_ February and March, 1821; and to the notes to the late Professor E. Kolbing's _Siege of Corinth._ On behalf of the publisher, I beg to acknowl
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