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e of Lord Byron_, by R. C. Dallas, p. 264. "Probably in some instances the poor scorpion has been burnt to death; and the well-known habit of these creatures to raise the tail over the back and recurve it so that the extremity touches the fore part of the cephalo-thorax, has led to the idea that it was stinging itself."--_Encycl. Brit_., art. "Arachnida," by Rev. O. P. Cambridge, ii. 281.] [do] _So writhes the mind by Conscience riven_.--[MS.] [84] The cannon at sunset close the Rhamazan. [Compare _Childe Harold_, Canto II. stanza Iv. line 5, _Poetical Works_, 1899, ii. 134. note 2.] [85] {108} Phingari, the moon. [[Greek: phenga/ri] is derived from [Greek: phenga/rion,] dim. of [Greek: phe/ngos.]] [86] The celebrated fabulous ruby of Sultan Giamschid, the embellisher of Istakhar; from its splendour, named Schebgerag [Schabchir[=a]gh], "the torch of night;" also "the cup of the sun," etc. In the First Edition, "Giamschid" was written as a word of three syllables; so D'Herbelot has it; but I am told Richardson reduces it to a dissyllable, and writes "Jamshid." I have left in the text the orthography of the one with the pronunciation of the other. [The MS. and First Edition read, "Bright as the gem of Giamschid." Byron's first intention was to change the line into "Bright as the ruby of Giamschid;" but to this Moore objected, "that as the comparison of his heroine's eye to a ruby might unluckily call up the idea of its being bloodshot, he had better change the line to 'Bright as the jewel,' etc." For the original of Byron's note, see S. Henley's note, _Vathek,_ 1893, p. 230. See, too, D'Herbelot's _Bibliotheque Orientale_, 1781, iii. 27. Sir Richard Burton (_Arabian Nights, S.N._, iii. 440) gives the following _resume_ of the conflicting legends: "Jam-i-jamshid is a well-known commonplace in Moslem folk-lore; but commentators cannot agree whether 'Jam' be a mirror or a cup. In the latter sense it would represent the Cyathomantic cup of the Patriarch Joseph, and the symbolic bowl of Nestor. Jamshid may be translated either 'Jam the bright,' or 'the Cup of the Sun;' this ancient king is the Solomon of the grand old Guebres." Fitzgerald, "in a very composite quatrain (stanza v.) which cannot be claimed as a translation at all" (see the _Rubaiyat_ of Omar Khayya[=a]m, by Edward Heron Allen, 1898), embodies a late version of the myth-- "Iram is gone and all his Rose, And Jamshyd's sev'n-ringed Cu
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