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The Project Gutenberg eBook, Some Forerunners of Italian Opera, by William James Henderson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Some Forerunners of Italian Opera Author: William James Henderson Release Date: November 28, 2006 [eBook #19958] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK SOME FORERUNNERS OF ITALIAN OPERA*** E-text prepared by Louise Hope, David Newman, Chuck Greif, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/) Note: Project Gutenberg also has an HTML version of this file which includes the original visual illustrations and sound files for musical illustration. See 19958-h.htm or 19958-h.zip: (http://www.gutenberg.net/dirs/1/9/9/5/19958/19958-h/19958-h.htm) or (http://www.gutenberg.net/dirs/1/9/9/5/19958/19958-h.zip) SOME FORERUNNERS OF ITALIAN OPERA by W. J. HENDERSON Author of "The Orchestra and Orchestral Music," "What Is Good Music," "The Art of the Singer," etc. [Illustration: Publisher's Device] New York Henry Holt and Company 1911 Copyright, 1911, by Henry Holt and Company Published March, 1911 The University Press, Cambridge, U.S.A. TO HER "_In a land of sand and ruin and gold There shone one woman, and none but she._" SWINBURNE PREFACE The purpose of this volume is to offer to the English reader a short study of the lyric drama in Italy prior to the birth of opera, and to note in its history the growth of the artistic elements and influences which finally led the Florentine reformers to resort to the ancient drama in their search for a simplified medium of expression. The author has not deemed it essential to his aims that he should recount the history of all European essays in the field of lyric drama, but only that of those which directly affected the Italians and were hence the most important. For this reason, while some attention is given in the beginning to the French and German liturgical plays, the story soon confines itself to Italy. The study of the character and performance of the first I
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