FREE BOOKS

Author's List




PREV.   NEXT  
|<   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91  
92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   >>   >|  
e he was there till he died. He was bughouse. I don't know much about painting, but if you call that crazy stuff of Gauguin's proper painting, then I'm a furbelowed clam." "Eh bien," Count Polonsky said, with a smile of the man of superior knowledge, "he is the greatest painter of this period, and his pictures are bringing high prices now, and will bring the highest pretty soon. I have bought every one I could to hold for a raise." Polonsky was a study in sheeny hues. He was twenty-seven, his black and naturally curled hair was very thin, there were eight or nine teeth that answered no call from his meat, and he wore in his right eyesocket a round glass, with no rim or string, held by a puckering of cheek and brow, giving him a quizzical, stage-like stare, and twisting his nose into a ripple of tiny wrinkles. He weighed, say, one hundred pounds or less, was bent, but with a fresh complexion and active step. I saw him rise naked from his cot one morning, and the first thing he put on was the rimless monocle. The natives, who name every one, called him "Matatitiahoe," "the one-windowed man." He had journeyed about the world, poked into some queer places, and in Japan had himself tattooed. On his narrow chest he had a terrible legendary god of Nippon, and on his arms a cock and a skeleton, the latter with a fan and a lantern. On his belly was limned a nude woman. He had certain other decorations the fame of which had been bruited wide so that a keen curiosity existed to see them, and they were discussed in whispers by white femininity and with many "Aucs!" of astonishment by the brown. They were Pompeiian friezes in their unconventionality of subject and treatment. Llewellyn, McHenry, David, and I accompanied the count to his residence on the outskirts of Papeete to taste a vintage of Burgundy he had sent him from Beaune. Like most modern houses in Tahiti, his was solely utilitarian, and was built by a former American consul. It exactly ministered to the comforts of a demanding European exquisite. The house was framed in wide verandas, and was in a magnificent grove of cocoanut-trees affording beauty and shade, with extensive fields of sugar-cane on the other side of the road, and a glimpse of the beach and lagoon a little distance away. A singing brook ran past the door. The bedrooms were large and open to every breeze, and the tables for dining and amusement mostly set upon the verandas. Polonsky's toilet-table w
PREV.   NEXT  
|<   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91  
92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   >>   >|  



Top keywords:

Polonsky

 

verandas

 

painting

 
Nippon
 
unconventionality
 

Pompeiian

 

friezes

 
Llewellyn
 

residence

 

outskirts


narrow

 

Papeete

 

accompanied

 
McHenry
 

treatment

 

legendary

 

terrible

 
subject
 

astonishment

 
bruited

lantern

 
limned
 

decorations

 

curiosity

 
femininity
 

whispers

 

discussed

 

existed

 

skeleton

 

distance


singing

 

lagoon

 

glimpse

 

toilet

 
amusement
 

dining

 
bedrooms
 
breeze
 
tables
 

fields


extensive

 

utilitarian

 

solely

 
American
 

consul

 

Tahiti

 

houses

 
Burgundy
 

Beaune

 
modern