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nce is the product of the struggle between good and evil. If any soul, whether mortal or immortal, became entirely and absolutely good, it would instantaneously vanish into nothingness. For the life of no kind of living soul is thinkable or conceivable apart from the unfathomable duality. The false philosophy which finds its ideal in an imaginary "parent" of the universe whose goodness is absolute is a philosophy conceived under the furtive influence of the power of evil. For the essence of the power of evil is opposition to the movement of life; and no false ideal has ever done so much injury to the free expansion of life as has been done by this conception of a "parent" of the universe who is a spirit of "absolute goodness." It is entirely in accordance with the unfathomable cunning of the power of malice that the supreme historic obstacle to the power of love in the human soul should be this conception of a "parent" of the universe, possessed of absolute goodness. In the deepest and most subtle way does this conception oppose itself to the creative energy of love. The creative energy of love demands an indetermined and malleable future. It demands an enemy with which to struggle. It demands the freedom of the individual will. Directly that ancient and treacherous phantom, the "inscrutable mystery" _behind_ the "universe," is allowed to become an object of thought; directly this mystery is allowed to take the shape of a "parent of things" who is to be regarded as "absolutely good," then, at that very moment, the eternal duality ceases to be "eternal" and ceases to be a "duality." Good and evil become the manifestations of the same inscrutable power. Love and malice become interchangeable names of little meaning. Satan becomes as significant a figure as Christ. All distinctions are then blurred and blotted out. The aesthetic sense is made of no account; or becomes a matter of accidental fancy. Imagination is left with nothing to work upon. The rhythm of the complex vision is broken to pieces. All is permitted. Nothing is forbidden. The universe is reduced to an indiscriminate and formless mass of excremental substance. Indiscriminately we have to swallow the "universe" or indiscriminately we have to let the "universe" alone. There is no longer a protagonist in the great drama, for there is no longer an antagonist. Indeed there is no longer any drama. Tragedy is at an end; and Comedy is at an end. All is equal.
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