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The Project Gutenberg EBook of Indian Story and Song, by Alice C. Fletcher This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Indian Story and Song from North America Author: Alice C. Fletcher Release Date: April 23, 2008 [EBook #25140] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK INDIAN STORY AND SONG *** Produced by David Newman, Linda Cantoni, and the Online Distributed Proofreading Team at http://www.pgdp.net. Music transcribed by Linda Cantoni, Espe (Nada Prodanovic), and the PG Finale Team. [Transcriber's Note: This e-book contains passages in Native American dialects; hyphenation and accents have been preserved as they appear in the original. Italics are represented by underscores. Obvious printer errors in English passages have been corrected, in particular the inconsistent use of "rythm" for "rhythm."] INDIAN STORY AND SONG FROM NORTH AMERICA By ALICE C. FLETCHER _Holder of the Thaw Fellowship Peabody Museum Harvard University_ Boston Small Maynard & Company Publishers _Copyright, 1900, By Alice C. Fletcher_ _Entered at Stationers' Hall_ _To_ MY INDIAN FRIENDS FROM WHOM I HAVE GATHERED STORY AND SONG PREFACE. _At the Congress of Musicians held in connection with the Trans-Mississippi Exposition at Omaha in July, 1898, several essays upon the songs of the North American Indians were read, in illustration of which a number of Omaha Indians, for the first time, sang their native melodies to an audience largely composed of trained musicians._ _This unique presentation not only demonstrated the scientific value of these aboriginal songs in the study of the development of music, but suggested their availability as themes, novel and characteristic, for the American composer. It was felt that this availability would be greater if the story, or the ceremony which gave rise to the song, could be known, so that, in developing the theme, all the movements might be consonant with the circumstances that had inspired the motive. In response to the expressed desire of many musicians, I have here given a number of songs in their matrix of story._ _Material like t
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