of their well-known
twinkling solicitation for laughter, and Carlo spoke in answer
gravely:--"From Baveno it will be."
"From Baveno! They might as well think to surprise hawks from Baveno.
Keep watch, dear Ammiani; a good start in a race is a kick from the
Gods."
With that, Corte turned to the point of his finger on the map. He
conceived it possible that Carlo Ammiani, a Milanese, had reason to
anticipate the approach of people by whom he, or they, might not wish to
be seen. Had he studied Carlo's face he would have been reassured. The
brows of the youth were open, and his eyes eager with expectation, that
showed the flying forward of the mind, and nothing of knotted distrust
or wary watchfulness. Now and then he would move to the other side of
the mountain, and look over upon Orta; or with the opera-glass clasped
in one hand beneath an arm, he stopped in his sentinel-march, frowning
reflectively at a word put to him, as if debating within upon all the
bearings of it; but the only answer that came was a sharp assent,
given after the manner of one who dealt conscientiously in definite
affirmatives; and again the glass was in requisition. Marco Sana was
a fighting soldier, who stated what he knew, listened, and took his
orders. Giulio Bandinelli was also little better than the lieutenant in
an enterprise. Corte, on the other hand, had the conspirator's head,--a
head like a walnut, bulging above the ears,--and the man was of a
sallying temper. He lay there putting bit by bit of his plot before
the Chief for his approval, with a careful construction, that upon the
expression of any doubt of its working smoothly in the streets of Milan,
caused him to shout a defensive, "But Carlo says yes!"
This uniform character of Ammiani's replies, and the smile of Agostino
on hearing them, had begun to strike the attention of the soldierly
Marco Sana. He ran his hand across his shorn head, and puffed his burnt
red mole-spotted cheeks, with a sidelong stare at the abstracted youth,
"Said yes!" he remarked. "He might say no, for a diversion. He has
yeses enough in his pay to earn a Cardinal's hat. 'Is Milan preparing to
rise?' 'Yes.'--'Is she ready for the work?' 'Yes.'--'Is the garrison
on its guard?' 'Yes.'--'Have you seen Barto Rizzo?' 'Yes.'--'Have the
people got the last batch of arms?' 'Yes.'--And 'Yes,' the secret is
well kept; 'Yes,' Barto Rizzo is steadily getting them together. We may
rely on him: Carlo is his intimate fri
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