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s exercise. Sometimes he would take a dog and a gun, sometimes ride, and sometimes merely go for a walk to the imperial wood. At five the big bell that hung on the broken bough of an old elm-tree in front of the house would ring and we would all run to wash our hands and collect for dinner. He was very hungry, and ate voraciously of whatever turned up. My mother would try to stop him, would tell him not to waste all his appetite on kasha, because there were chops and vegetables to follow. "You'll have a bad liver again," she would say; but he would pay no attention to her, and would ask for more and more, until his hunger was completely satisfied. Then he would tell us all about his walk, where he put up a covey of black game, what new paths he discovered in the imperial wood beyond Kudeyarof Well, or, if he rode, how the young horse he was breaking in began to understand the reins and the pressure of the leg. All this he would relate in the most vivid and entertaining way, so that the time passed gaily and animatedly. After dinner he would go back to his room to read, and at eight we had tea, and the best hours of the day began--the evening hours, when everybody gathered in the zala. The grown-ups talked or read aloud or played the piano, and we either listened to them or had some jolly game of our own, and in anxious fear awaited the moment when the English grandfather-clock on the landing would give a click and a buzz, and slowly and clearly ring out ten. Perhaps mama would not notice? She was in the sitting-room, making a copy. "Come, children, bedtime! Say good night," she would call. "In a minute, Mama; just five minutes." "Run along; it's high time; or there will be no getting you up in the morning to do your lessons." We would say a lingering good night, on the lookout for any chance for delay, and at last would go down-stairs through the arches, annoyed at the thought that we were children still and had to go to bed while the grown-ups could stay up as long as ever they liked. A JOURNEY TO THE STEPPES WHEN I was still a child and had not yet read "War and Peace," I was told that NATASHA ROSTOF was Aunt Tanya. When my father was asked whether that was true, and whether DMITRY ROSTOF was such and such a person and LEVIN such and such another, he never gave a definite answer, and one could not but feel that he disliked such questions and was rather offended by them. In those remote d
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