FREE BOOKS

Author's List




PREV.   NEXT  
|<   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67  
68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   >>   >|  
rker (_Glossary of Architecture_) derives the word from the Latin _fretum_, a strait; and Hales from _ferrum_, iron, through the Italian _ferrata_, an iron grating. It is more likely (see Stratmann and Wb.) from the A. S. _fraetu_, an ornament. Cf. _Hamlet_, ii. 2: "This majestical roof fretted with golden fire;" and _Cymbeline_, ii. 4: "The roof o' the chamber With golden cherubins is fretted." 40. _The pealing anthem_. Cf. _Il Penseroso_, 161: "There let the pealing organ blow To the full-voiced quire below, In service high, and anthem clear," etc. 41. _Storied urn_. Cf. _Il Pens._ 159: "storied windows richly dight." On _animated bust_, cf. Pope, _Temple of Fame_, 73: "Heroes in animated marble frown;" and Virgil, _Aen._ vi. 847: "spirantia aera." 43. _Provoke_. Mitford considers this use of the word "unusually bold, to say the least." It is simply the etymological meaning, _to call forth_ (Latin, _provocare_). See Wb. Cf. Pope, _Ode_: "But when our country's cause provokes to arms." 44. _Dull cold ear_. Cf. Shakes. _Hen. VIII._ iii. 2: "And sleep in dull, cold marble." 46. _Pregnant with celestial fire_. This phrase has been copied by Cowper in his _Boadicea_, which is said (see notes of "Globe" ed.) to have been written after reading Hume's History, in 1780: "Such the bard's prophetic words, Pregnant with celestial fire, Bending as he swept the chords Of his sweet but awful lyre." 47. Mitford quotes Ovid, _Ep._ v. 86: "Sunt mihi quas possint sceptra decere manus." 48. _Living lyre_. Cf. Cowley: "Begin the song, and strike the living lyre;" and Pope, _Windsor Forest_, 281: "Who now shall charm the shades where Cowley strung His living harp, and lofty Denham sung?" 50. Cf. Browne, _Religio Medici_: "Rich with the spoils of nature." 51. "_Rage_ is often used in the post-Elizabethan writers of the 17th century, and in the 18th century writers, for inspiration, enthusiasm" (Hales). Cf. Cowley: "Who brought green poesy to her perfect age, And made that art which was a rage?" and Tickell, _Prol._: "How hard the task! How rare the godlike rage!" Cf. also the use of the Latin _rabies_ for the "divine afflatus," as in _Aeneid_, vi. 49. 53. _Full many a gem_, etc. Cf. Bishop Hall, _Contemplations_: "There is many a rich stone laid up in the bowells of the earth, many a fair pearle in the bosome of the sea, that never
PREV.   NEXT  
|<   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67  
68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   >>   >|  



Top keywords:

Cowley

 

golden

 
celestial
 

fretted

 

anthem

 

pealing

 

living

 
animated
 

century

 

Pregnant


Mitford

 

writers

 

marble

 
strike
 
strung
 

shades

 

Forest

 
Windsor
 

chords

 

prophetic


Bending
 

quotes

 
sceptra
 

possint

 

decere

 

Living

 

Aeneid

 

afflatus

 

divine

 
rabies

godlike

 

Bishop

 

pearle

 
bosome
 

bowells

 
Contemplations
 
Tickell
 

nature

 

spoils

 
Browne

Religio

 
Medici
 
Elizabethan
 

perfect

 

inspiration

 

enthusiasm

 

brought

 
Denham
 
service
 

voiced