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er all in flesh and blood may be matter for uncertainty. Much more talkative, on the other hand, are similar abstractions in _Scene 11_. Here, in the presence of God, Contemplation and the Virtues having appealed for an extension of mercy and forgiveness to man, Truth, Pity and Justice discuss the question of Redemption from their particular points of view until God interposes with his decision in its favour. Mention of this innovation in the Miracle Play seems advisable at this point, though its bearing on later drama will be more clearly seen in the next chapter. Little need be said of the verse commonly used in Miracles, save to point out the preference for stanzas and for triple and quadruple rhymes. An examination of the verses quoted will reveal something as to the variety of forms adopted. Those cited from _Scenes 1_, _4_, and _32_ illustrate three types, while another favourite of the Coventry author takes the following structure (A), with a variant in lines of half the length (B): (A) _Angelus_. Wendyth fforthe, ye women thre, Into the strete of Galyle; Your Savyour ther xul ye se Walkynge in the waye. Your ffleschely lorde now hath lyff, That deyd on tre with strook and stryff; Wende fforthe, thou wepynge wyff, And seke hym, I the saye. (_Scene 36._) (B) _Senescallus_ (_to Herod_). Sere kyng in trone, Here comyth anone By strete and stone Kynges thre. They bere present,-- What thei have ment. Ne whedyr they arn bent, I cannot se. (_Scene 17._) Reference to the quotation from the _Wakefield Play_ will discover in the north country author an even greater propensity to rhyme. There remains to be discussed the method of production of these plays. Fortunately we have records to guide us in our suppositions. These date from the time when the complete Miracle Play was a fully established annual institution. It is of that period that we shall speak. Plays had from the first been under official management. When, therefore, the Church surrendered control it was only natural that secular officialdom should extend its protection and guidance. Local corporations, recognizing the commercial advantages of an attraction which could annually draw crowds of country customers into the towns, mad
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