FREE BOOKS

Author's List




PREV.   NEXT  
|<   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99  
100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   >>   >|  
y watching his moods and crotchets, and to touch him accordingly. It is somewhat in doubt whether the 'he' in the preceding line refers to Brutus or to Caesar. If to Brutus, the meaning of course is: he should not play upon my humors and fancies as I do upon his. And this sense is fairly required by the context, for the whole speech is occupied with the speaker's success in cajoling Brutus, and with plans for cajoling and shaping him still further. Johnson refers 'he' to Caesar.] [Note 313: /hands:/ handwritings. So the word is used colloquially to-day.] [Note 319: We will either shake him, or endure worse days in suffering the consequences of our attempt.--Shakespeare makes Cassius overflow with intense personal spite against Caesar. This is in accordance with what he read in North's Plutarch.] [Page 30] SCENE III. _The same. A street_ _Thunder and lightning. Enter, from opposite sides_, CASCA, _with his sword drawn, and_ CICERO CICERO. Good even, Casca: brought you Caesar home? Why are you breathless? and why stare you so? CASCA. Are you not mov'd, when all the sway of earth Shakes like a thing unfirm? O Cicero, I have seen tempests, when the scolding winds 5 Have riv'd the knotty oaks, and I have seen Th' ambitious ocean swell and rage and foam, To be exalted with the threatening clouds; But never till to-night, never till now, Did I go through a tempest dropping fire. 10 Either there is a civil strife in heaven, Or else the world, too saucy with the gods, Incenses them to send destruction. [Note: SCENE III Capell | Scene VI Pope.] [Note: _Enter, from ..._ | Enter Caska, and Cicero Ff.] [Note 10: /tempest dropping fire/ Rowe | tempest-dropping-fire Ff.] [Note: SCENE III. Rowe added "with his sword drawn" to the Folio stage direction, basing the note on l. 19. A month has passed since the machinery of the conspiracy was set in motion. The action in the preceding scene took place on the day of the Lupercalia; the action in this is on the eve of the Ides of March.] [Note 1: /brought:/ accompanied. Cf. _Richard II_, I, iv, 2.] [Note 3-4: /sway of earth:/ established order. "The balanced swing of earth."--Craik. "The whole weight or momentum of this globe."--Johnson. In such a raging of the elements, it seems as if the whole world were going to pieces, or as if the earth's steadfastness were growing 'unfirm.'
PREV.   NEXT  
|<   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99  
100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   >>   >|  



Top keywords:

Caesar

 
tempest
 

dropping

 

Brutus

 

brought

 

CICERO

 

Johnson

 

action

 

cajoling

 

preceding


refers

 

unfirm

 

Cicero

 

Incenses

 

strife

 

heaven

 

exalted

 

ambitious

 

threatening

 

clouds


Either

 

established

 

balanced

 

accompanied

 

Richard

 

weight

 

pieces

 

steadfastness

 

growing

 

elements


momentum

 

raging

 
direction
 
basing
 

Capell

 

Lupercalia

 

motion

 

passed

 

machinery

 

conspiracy


destruction

 

shaping

 

success

 

context

 

speech

 

occupied

 

speaker

 

handwritings

 

endure

 
colloquially