more reasonable does the division appear between all the world
which is devoted to material life, and the few who live in and for the
expression of thought and emotion. It is a pity that this should be so,
for it can be shown that life would not be worth living divorced from the
gracious and ennobling influence of literature, and that literature
suffers atrophy when it does not concern itself with the facts and
feelings of men.

If the poet lives in a world apart from the vulgar, the most lenient
apprehension of him is that his is a sort of fool's paradise. One of the
most curious features in the relation of literature to life is this, that
while poetry, the production of the poet, is as necessary to universal
man as the atmosphere, and as acceptable, the poet is regarded with that
mingling of compassion and undervaluation, and perhaps awe, which once
attached to the weak-minded and insane, and which is sometimes expressed
by the term "inspired idiot." However the poet may have been petted and
crowned, however his name may have been diffused among peoples, I doubt
not that the popular estimate of him has always been substantially what
it is today. And we all know that it is true, true in our individual
consciousness, that if a man be known as a poet and nothing else, if his
character is sustained by no other achievement than the production of
poetry, he suffers in our opinion a loss of respect. And this is only
recovered for him after he is dead, and his poetry is left alone to speak
for his name. However fond my lord and lady were of the ballad, the place
of the minstrel was at the lower end of the hall. If we are pushed to say
why this is, why this happens to the poet and not to the producers of
anything else that excites the admiration of mankind, we are forced to
admit that there is something in the poet to sustain the popular judgment
of his in utility. In all the occupations and professions of life there
is a sign put up, invisible--but none the less real, and expressing an
almost universal feeling--"No poet need apply." And this is not because
there are so many poor poets; for there are poor lawyers, poor soldiers,
poor statesmen, incompetent business men; but none of the personal
disparagement attaches to them that is affixed to the poet. This popular
estimate of the poet extends also, possibly in less degree, to all the
producers of the literature that does not concern itself with knowledge.
It is not our care t