honors spend years in verbally memorizing the classics
--Confucius and Mencius--and receive degrees and public advancement upon
ability to transcribe from memory without the error of a point, or
misplacement of a single tea-chest character, the whole of some books of
morals. You do not wonder that China is today more like an herbarium than
anything else. Learning is a kind of fetish, and it has no influence
whatever upon the great inert mass of Chinese humanity.

I suppose it is possible for a young gentleman to be able to read--just
think of it, after ten years of grammar and lexicon, not to know Greek
literature and have flexible command of all its richness and beauty, but
to read it!--it is possible, I suppose, for the graduate of college to be
able to read all the Greek authors, and yet to have gone, in regard to
his own culture, very little deeper than a surface reading of them; to
know very little of that perfect architecture and what it expressed; nor
of that marvelous sculpture and the conditions of its immortal beauty;
nor of that artistic development which made the Acropolis to bud and
bloom under the blue sky like the final flower of a perfect nature; nor
of that philosophy, that politics, that society, nor of the life of that
polished, crafty, joyous race, the springs of it and the far-reaching,
still unexpended effects of it.

Yet as surely as that nothing perishes, that the Providence of God is not
a patchwork of uncontinued efforts, but a plan and a progress, as surely
as the Pilgrim embarkation at Delfshaven has a relation to the battle of
Gettysburg, and to the civil rights bill giving the colored man
permission to ride in a public conveyance and to be buried in a public
cemetery, so surely has the Parthenon some connection with your new State
capitol at Albany, and the daily life of the vine-dresser of the
Peloponnesus some lesson for the American day-laborer. The scholar is
said to be the torch-bearer, transmitting the increasing light from
generation to generation, so that the feet of all, the humblest and the
loveliest, may walk in the radiance and not stumble. But he very often
carries a dark lantern.

Not what is the use of Greek, of any culture in art or literature, but
what is the good to me of your knowing Greek, is the latest question of
the ditch-digger to the scholar--what better off am I for your learning?
And the question, in view of the interdependence of all members of
society, is one