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t of making even Decker popular; while he discovered that his own laurel-wreath had been dexterously changed by the "Satiromastix" into a garland of "stinging nettles." In "The Poetaster," _Crispinus_ is the picture of one of those impertinent fellows who resolve to become poets, having an equal aptitude to become anything that is in fashionable request. When Hermogenes, the finest singer in Rome, refused to sing, _Crispinus_ gladly seizes the occasion, and whispers the lady near him--"Entreat the ladies to entreat me to sing, I beseech you." This character is marked by a ludicrous peculiarity which, turning on an individual characteristic, must have assisted the audience in the true application. Probably Decker had some remarkable head of hair,[391] and that his locks hung not like "the curls of Hyperion;" for the jeweller's wife admiring among the company the persons of Ovid, Tibullus, &c., _Crispinus_ acquaints her that they were poets, and, since she admires them, promises to become a poet himself. The simple lady further inquires, "if, when he is a poet, his looks will change? and particularly if his hair will change, and be like those gentlemen's?" "A man," observes _Crispinus_, "may be a poet, and yet not change his hair." "Well!" exclaims the simple jeweller's wife, "we shall see your cunning; yet if you can change your hair, I pray do it." In two elaborate scenes, poor Decker stands for a full-length. Resolved to be a poet, he haunts the company of Horace: he meets him in the street, and discovers all the variety of his nothingness: he is a student, a stoic, an architect: everything by turns, "and nothing long." Horace impatiently attempts to escape from him, but _Crispinus_ foils him at all points. This affectionate admirer is even willing to go over the world with him. He proposes an ingenious project, if Horace will introduce him to Maecenas. _Crispinus_ offers to become "his assistant," assuring him that "he would be content with the next place, not envying thy reputation with thy patron;" and he thinks that Horace and himself "would soon lift out of favour Virgil, Varius, and the best of them, and enjoy them wholly to ourselves." The restlessness of Horace to extricate himself from this "Hydra of Discourse," the passing friends whom he calls on to assist him, and the glue-like pertinacity of _Crispinus_, are richly coloured. A ludicrous and exquisitely satirical scene occurs at the trial of _Crispi
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