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acter with this wretched being, after having quarrelled with human nature, that he should be still more inveterate against a small part of her family, with whom he was suffered to live on too intimate terms; for he afterwards published another extraordinary piece--"The Conduct and Good-Nature of Englishmen Exemplified in their charitable way of Characterising the Customs, Manners, &c. of Neighbouring Nations; their Equitable and Humane Mode of Governing States, &c.; their Elevated and Courteous Deportment, &c. of which their own Authors are everywhere produced as Vouchers," 1777. One is tempted to think that this O'Brien M'Mahon, after all, is only a wag, and has copied the horrid pictures of his masters, as Hogarth did the School of Rembrandt by his "Paul before Felix, designed and _scratched_ in the true Dutch taste." These works seem, however, to have their use. To have carried the conclusions of the Anti-social Philosophy to as great lengths as this writer has, is to display their absurdity. But, as every rational Englishman will appeal to his own heart, in declaring the one work to be nothing but a libel on the nation; so every man, not destitute of virtuous emotions, will feel the other to be a libel on human nature itself. [371] "Human Nature," c. ix. [372] Hobbes did not exaggerate the truth. Aubrey says of Cooper's portrait of Hobbes, that "he intends to borrow the picture of his majesty, for Mr. Loggan to engrave an accurate piece by, which will sell well at home and abroad." We have only the rare print of Hobbes by Faithorne, prefixed to a quarto edition of his Latin Life, 1682, remarkable for its expression and character. Sorbiere, returning from England, brought home a portrait of the sage, which he placed in his collection; and strangers, far and near, came to look on the physiognomy of a great and original thinker. One of the honours which men of genius receive is the homage the public pay to their images: either, like the fat monk, one of the heroes of the _Epistolae obscurorum Virorum_, who, standing before a portrait of Erasmus, spit on it in utter malice; or when they are looked on in silent reverence. It is alike a tr
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