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slovenly ease of the real ones. Never, like "The Inspector," flamed such a provoking prodigy in the cloudy skies of Grub-street; and Hill seems studiously to have mortified his luckless rivals by a perpetual embroidery of his adventures in the "Walks at Marybone," the "Rotunda at Ranelagh," spangled over with "my domestics," and "my equipage." [One of his adventures at Ranelagh was sufficiently unfortunate to obtain for him the unenviable notoriety of a caricature print representing him enduring a castigation at the Rotunda gate from an Irish gentleman named Brown, with whose character he had made far too free in one of his "Inspectors." Hill showed much pusillanimity in the affair, took to his bed, and gave out that the whole thing was a conspiracy to murder him. This occasioned the publication of another print, in which he is represented in bed, surrounded by medical men, who treat him with very little respect. One insists on his fee, because Hill has never been acknowledged as one of themselves; and another, to his plea of want of money, responds, "Sell your sword, it is only an encumbrance."] [288] It is useful to remind the public that they are often played upon in this manner by the artifices of _political writers_. We have observed symptoms of this deception practised at present. It is an old trick of the craft, and was greatly used at a time when the nation seemed maddened with political factions. In a pamphlet of "A View of London and Westminster, or the Town-spy," 1725, I find this account:--"The _seeming quarrel_, formerly, between _Mist's Journal_ and the _Flying Post_ was _secretly concerted_ between themselves, in order to decoy the eyes of all the parties on both their papers; and the project succeeded beyond all expectation; for I have been told that the former narrowly missed getting an estate by it."--p. 32. [289] Isaac Reed, in his "Repository of Fugitive Pieces of Wit and Humour," vol. iv., in republishing "The Hilliad," has judiciously preserved the offending "Impertinent" and the abjuring "Inspector." The style of "The Impertinent" is volatile and poignant. His four classes of authors are not without humou
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