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Hurgonil, Astolpho, Borgia, Goltha, Tibalt, Astragon, Hermogild, Ulfinor, Orgo, Thula. And "epithets that will serve for any substantives, either in this part or the next." Such are the labours of the idlers of genius, envious of the nobler industry of genius itself!--How the great author's spirit was nourished by the restoratives of his other friends, after the bitter decoctions prescribed by these "Four," I fear we may judge by the unfinished state in which "Gondibert" has come down to us. D'Avenant seems, however, to have guarded his dignity by his silence; but Hobbes took an opportunity of delivering an exquisite opinion on this Club of Wits, with perfect philosophical indifference. It is in a letter to the Hon. EDWARD HOWARD, who requested to have his sentiments on another heroic poem of his own, "The British Princes." "My judgment in poetry hath, you know, been once already censured, by very good wits, for commending 'Gondibert;' but yet they have not, I think, disabled my testimony. For, _what authority is there in wit_? A jester may have it; a man in drink may have it, and be fluent over-night, and wise and dry in the morning. What is it? or who can tell whether it be better to have it, or be without it, especially if it be a pointed wit? I will take my liberty to praise what I like, as well as they do to reprehend what they do not like." The stately "Gondibert" was not likely to recover favour in the court of Charles the Second, where man was never regarded in his true greatness, but to be ridiculed; a court where the awful presence of Clarendon became so irksome, that the worthless monarch exiled him; a court where nothing was listened to but wit at the cost of sense, the injury of truth, and the violation of decency; where a poem of magnitude with new claims was a very business for those volatile arbiters of taste; an epic poem that had been travestied and epigrammed, was a national concern with them, which, next to some new state-plot, that occurred oftener than a new epic, might engage the monarch and his privy council. These were not the men to be touched by the compressed reflections and the ideal virtues personified in this poem. In the court of the laughing voluptuary the manners as well as the morals of these satellites of pleasure were so little heroic, that those of the highest rank, both in birth and wit, never mentioned each other but with the vulgar familiarity of nicknames, or the
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