FREE BOOKS

Author's List




PREV.   NEXT  
|<   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102  
103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   >>   >|  
ere as it is taken up fully in the next chapter. Suffice it to say now, however, that a diffuse style is never forceful. The reporter must condense his ideas into the smallest space possible. Often that space is designated by the city editor when the reporter, on his return to the office, asks for instructions, and nearly always it is only about half enough. But he must follow directions to the letter. Woe to the novice who presents a thousand words, or even six hundred, when the city editor calls for five hundred. Sometimes, however, he will find that the city editor has allotted him more space than he can easily fill. In such a case, let him give length by introducing additional details. Mere words will not suffice. They do not make a story. =140. Final Test of a Story.=--The two cares for the reporter, then, in writing the body of the story are accuracy and interest. Accuracy is worth most, and is attained by strict adherence to truth, with plenty of proof for the truth in case it is questioned after publication. Interest may be had by making all statements clear, coherent, forceful. But there is no precise form or method by which accuracy and interest may be obtained. The reporter is given unlimited range in selecting, organizing, and writing his news. He may follow or disregard at will the standard types of other newspaper men's stories, which should be taken as models only, never as laws. For the final test of the goodness of a story is its effect upon the reader. If it attains the desired result without conforming to the patterns given by other writers, it will become a new pattern for itself and for similar stories. Get accuracy and interest, then, no matter what the method. XI. THE PARAGRAPH =141. Paragraph a Mark of Punctuation.=--Discussion of the paragraph really belongs under the head of punctuation, since its purpose is to set off the larger divisions of the story in the same way that the period and the comma mark sentences and phrases. The indention of the first line catches the eye of the reader and notifies him silently to stop for a summary of his impressions before starting a somewhat different phase of the story. Its purpose, like that of the other marks of punctuation, is clearness and emphasis. Yet since its very lax laws are much the same as those of the story, it must be noticed independently. =142. Clearness.=--The first requirement of the paragraph is that it shall be clear. Its rela
PREV.   NEXT  
|<   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102  
103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   >>   >|  



Top keywords:

reporter

 

editor

 

interest

 
accuracy
 
writing
 

follow

 

purpose

 

reader

 
punctuation
 

hundred


forceful
 

stories

 

method

 

paragraph

 

standard

 

matter

 

similar

 

pattern

 
desired
 

goodness


effect

 

models

 

patterns

 

writers

 

newspaper

 

conforming

 

attains

 

result

 

divisions

 

clearness


starting

 

summary

 
impressions
 

emphasis

 

Clearness

 

requirement

 

independently

 
noticed
 
silently
 

notifies


belongs

 
Discussion
 

Punctuation

 

PARAGRAPH

 
Paragraph
 
larger
 

indention

 

phrases

 

catches

 

sentences