ng certitude of an
inseverable affinity with the stars, and she longed to put off this
shameful garb of flesh and rise to her spiritual destiny of which the
stars are our watchful guardians. It was like deep music; words could
not contain it, it was a deep and indistinct yearning for the stars--for
spiritual existence. She was conscious of the narrowness of the
prison-house into which Owen had shut her, and looking at Ulick, she
felt the thrill of liberation; it was like a ray of light dividing the
dark. Looking at Ulick, she was startled by the conviction of his
indispensability in her life, and the knowledge that she must repel him
was an acute affliction, a desolate despair. It seemed cruel and
disastrous that she might not love him, for it was only through love
that she could get to understand him, and life without knowledge of him
seemed failure.
"I'm very fond of you, Ulick, but I mustn't let you kiss me. Can't we
be friends?"
He sat leaning a little forward, his head bent and his eyes on the
carpet. He represented to her an abysmal sorrow--an extraordinary
despair. She longed to share this sorrow, to throw her arms about him
and make him glad. Their love seemed so good and natural, she was
surprised that she might not.
"Ulick."
"Yes, Evelyn."
He looked round the room, saw it was getting late, and that it was time
for him to go.
"Yes, it is getting late. I suppose you must go. But you'll come to see
me again. We shall be friends, promise me that ... that whatever happens
we shall be friends."
"I think that we shall always be friends, I feel that."
His answer seemed to her insufficient, and they stood looking at each
other. When the door closed after him, Evelyn turned away, thinking that
if he had stayed another moment she must have thrown herself into his
arms.
CHAPTER TWENTY
Dreams was the first of the five, but the music that haunted belonged to
the third song. She could not quite remember a single phrase, nor any
words except "pining flowers." She had thought of sending for it, but
such vague memory suited her mood better than an exact text. If she had
the song she would go to the piano, and she did not wish to move from
the Sheraton sofa, made comfortable with pale blue cushions. But again
the music stirred her memory like wind the tall grasses, and out of the
slowly-moving harmonies there arose an invocation of the strange pathos
of existence; no plaint for an accidental sorrow
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