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ng certitude of an inseverable affinity with the stars, and she longed to put off this shameful garb of flesh and rise to her spiritual destiny of which the stars are our watchful guardians. It was like deep music; words could not contain it, it was a deep and indistinct yearning for the stars--for spiritual existence. She was conscious of the narrowness of the prison-house into which Owen had shut her, and looking at Ulick, she felt the thrill of liberation; it was like a ray of light dividing the dark. Looking at Ulick, she was startled by the conviction of his indispensability in her life, and the knowledge that she must repel him was an acute affliction, a desolate despair. It seemed cruel and disastrous that she might not love him, for it was only through love that she could get to understand him, and life without knowledge of him seemed failure. "I'm very fond of you, Ulick, but I mustn't let you kiss me. Can't we be friends?" He sat leaning a little forward, his head bent and his eyes on the carpet. He represented to her an abysmal sorrow--an extraordinary despair. She longed to share this sorrow, to throw her arms about him and make him glad. Their love seemed so good and natural, she was surprised that she might not. "Ulick." "Yes, Evelyn." He looked round the room, saw it was getting late, and that it was time for him to go. "Yes, it is getting late. I suppose you must go. But you'll come to see me again. We shall be friends, promise me that ... that whatever happens we shall be friends." "I think that we shall always be friends, I feel that." His answer seemed to her insufficient, and they stood looking at each other. When the door closed after him, Evelyn turned away, thinking that if he had stayed another moment she must have thrown herself into his arms. CHAPTER TWENTY Dreams was the first of the five, but the music that haunted belonged to the third song. She could not quite remember a single phrase, nor any words except "pining flowers." She had thought of sending for it, but such vague memory suited her mood better than an exact text. If she had the song she would go to the piano, and she did not wish to move from the Sheraton sofa, made comfortable with pale blue cushions. But again the music stirred her memory like wind the tall grasses, and out of the slowly-moving harmonies there arose an invocation of the strange pathos of existence; no plaint for an accidental sorrow
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