FREE BOOKS

Author's List




PREV.   NEXT  
|<   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286  
287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   >>   >|  
he admirable _style recitatif_ in the oratory of St. Marcellus when there was a congregation of the Brothers of the Holy Crucifix. This order was composed of the chief noblemen of Rome, who had therefore the power of bringing together the rarest musicians Italy could produce. The voices began with a psalm in motet form, and then the instruments played a symphony, after which the voices sang a story from the Old Testament. Each chorister represented a personage in the story, etc. He spoke of the great organist at St. Peter's, and the wonderful inventions he is said to have displayed in his improvisations. No one since had played the harp like the renowned Horatio, but there was no one who could play the lyre like the renowned Ferrabosco in England. Evelyn leaned across the table, transported three centuries back, hearing all this music, which she had known from her earliest years, performed by virtue of her father's description in Italy, in St. Peter's, in the oratory of St. Marcellus and in the church of Minerva. Sometimes her father and Ulick began an argument, her sympathies alternated between them; she spoke very little, preferring to listen, not liking to side with either, agreeing with them, sometimes angering her father by her neutrality. But one evening he was a little too insistent, and Evelyn burst into tears, and ran upstairs to her room. The two men looked at each other, and Mr. Innes begged Ulick to tell him if he had been unkind, and then besought him to go upstairs and try to induce Evelyn to come down. Her face brightened into merry laughter at her own folly, and it called from her many entertaining remarks, so Ulick was tempted to set them one against the other, and to do so he had only to ask if Evelyn could sing such light soprano parts as Zerlina or Rosetta as well as her mother. In the mornings Evelyn and Ulick lingered in the shade of the chestnut trees or loitered in the lanes. At one moment they were telling each other of the fatality of their passion; in the next, by some transition of which they were not aware, they found themselves discussing some musical question. They went for long drives; and Richmond Park, not more than eight or ten miles distant, was at this season a beautiful, plaintive languor. There was a strange stillness in the air and a tender bloom upon the blue sky which spoke to the heart as no words, as only music could. The shadows moved listlessly among the bracken, and every
PREV.   NEXT  
|<   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286  
287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   311   >>   >|  



Top keywords:

Evelyn

 

father

 

Marcellus

 

oratory

 

played

 
renowned
 

voices

 

upstairs

 
soprano
 

Rosetta


mother
 
Zerlina
 

called

 

brightened

 
induce
 

unkind

 

besought

 

laughter

 

tempted

 
remarks

entertaining

 

passion

 
languor
 

plaintive

 

strange

 

stillness

 
beautiful
 

season

 
distant
 
tender

listlessly

 

bracken

 
shadows
 

telling

 

moment

 

fatality

 

begged

 

lingered

 

chestnut

 
loitered

transition

 

drives

 

Richmond

 

question

 

discussing

 
musical
 

mornings

 

listen

 

represented

 
chorister