compound_ in Heylyn's
_Microcosmos_, 1627, p. 249., thus:--"The English language is a
_decompound_ of Dutch, French, and Latin."

These instances may serve to show that it is not at all improbable
Shakspeare may have used _delighted_ for _lighted==lightened==freed from
incumbrance_; and it must be confessed that the sense and spirit of the
passage in _Measure for Measure_ would be much improved by taking this
view of it.

On the other hand, it certainly does appear that the poet uses the
termination _-ed_ for _-ing_, in the passages cited by Mr. Halliwell,
where we have profess_ed_ for profess_ing_, becom_ed_ for becom_ing_,
guil_ed_ for guil_ing_, brood_ed_ for brood_ing_, and deform_ed_ for
deform_ing_: it was not unreasonable, therefore, to conclude that he had
done so in these other instances, and that delight_ed_ stood for
delight_ing_, and not for delight_ful_, as Mr. Halliwell implies. How
far the grammatical usages of the poet's time may have authorised this
has not yet been shown; but it appears also that the converse is the
case, and that he has used the termination _-ing_ for _-ed_; e.g.
long_ing_ for long_ed_, all-obey_ing_ for all-obey_ed_, discontent_ing_
for discontent_ed_, multiply_ing_ for multipli_ed_, unrecall_ing_, for
unrecall_ed_. Dr. Crombie (_Etymology and Syntax of the English
language_, p. 150.) says:

"The participle in _ed_ I consider to be perfectly analogous to
the participle in _ing_, and used like it in either an active or
passive sense, belonging, therefore, neither to the one voice
nor the other exclusively."

Supposing for a moment that Shakspeare used delight_ed_ for
delight_ing_, the sense of the passages would, I presume, be in _Measure
for Measure_, "the spirit affording delight;" in _Othello_, "if virtue
want no beauty affording delight;" in _Cymbeline_, "the gifts delighting
more from being delayed." Here we have a simple, and, in the last two
instances, I think, a more satisfactory meaning than Mr. Hickson's sense
of _lightened_, _disencumbered_, affords, even could it be more
unquestionably established.

I have, however, met with a passage in Sir Philip Sidney's _Arcadia_
(ed. 1598, p. 294.) which might lead to a different interpretation of
_delighted_ in these passages, and which would not, perhaps, be less
startling than that of Mr. Hickson.

"All this night (in despite of darknesse) he held his eyes open;
and in the morning, when the _delight_