FREE BOOKS

Author's List




PREV.   NEXT  
|<   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162  
163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   >>   >|  
considerable in our language from the Elizabethan age to the present time. Chaucer is anterior; and on other grounds, too, he cannot well be brought into the comparison. But taking the roll of our chief poetical names, besides Shakespeare and Milton, from the age of Elizabeth downwards, and going through it,--Spenser, Dryden, Pope, Gray, Goldsmith, Cowper, Burns, Coleridge, Scott, Campbell, Moore, Byron, Shelley, Keats (I mention those only who are dead),--I think it certain that Wordsworth's name deserves to stand, and will finally stand, above them all. Several of the poets named have gifts and excellencies which Wordsworth has not. But taking the performance of each as a whole, I say that Wordsworth seems to me to have left a body of poetical work superior in power, in interest, in the qualities which give enduring freshness, to that which any one of the others has left." ("Essay on Wordsworth," by Matthew Arnold.) "Perhaps no person can be a poet, or can even enjoy poetry, without a certain unsoundness of mind, if anything which gives so much pleasure ought to be called unsoundness. By poetry we mean not all writing in verse, nor even all good writing in verse. Our definition excludes many metrical compositions which, on other grounds, deserve the highest praise. By poetry, we mean the art of employing words in such a manner as to produce an illusion on the imagination, the art of doing by means of words what the painter does by means of colors. Thus the greatest of the poets has described it, in lines universally admired for the vigor and felicity of their diction, and still more valuable on account of the just notion which they convey of the art in which he excelled:-- 'As imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation and a name.' These are the fruits of the 'fine frenzy' which he ascribes to the poet,--a fine frenzy, doubtless, but still a frenzy. Truth, indeed, is essential to poetry, but it is the truth of madness. The reasonings are just, but the premises are false. After the first suppositions have been made, everything ought to be consistent; but those first suppositions require
PREV.   NEXT  
|<   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162  
163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   >>   >|  



Top keywords:

poetry

 
Wordsworth
 
frenzy
 

writing

 

grounds

 

imagination

 

suppositions

 

taking

 
poetical
 

unsoundness


greatest

 

colors

 

painter

 

metrical

 

compositions

 

excludes

 

definition

 

require

 

deserve

 

produce


illusion
 

manner

 
universally
 

highest

 

praise

 

employing

 

fruits

 

ascribes

 

doubtless

 

habitation


premises

 

reasonings

 

madness

 
essential
 

shapes

 

diction

 

valuable

 
account
 

notion

 

felicity


consistent

 

convey

 

things

 

unknown

 

excelled

 

bodies

 

admired

 

Matthew

 

Goldsmith

 

Cowper