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of Malta, with a goodly number of passengers bound either east or west, is a harvest time for the beggars, who know very well how to challenge the generosity of strangers. They have made a careful study of the business; they have elevated it, as De Quincey would say, to the dignity of a fine art. The "Nix Mangare Stairs" of Valletta are the congregating place of an army of mendicants of every species, men, women, and children, who exhibit all manner of deformities, both real and artificial, as well as every grade of dirt and squalor. In landing and making one's way up to the main thoroughfare of the city, it is necessary to run the gauntlet of this horde of poverty-stricken people. At the base of these "nothing to eat stairs," the longshoremen and fishermen also congregate. It was just here that Midshipman Easy and his companion procured the boat in which they escaped after the "triangular duel." The evil odors permeating the atmosphere in the vicinity are what might be expected from a people reveling in garlic and eschewing soap. The daily food of the class one sees in this section of the city is a slice of black bread and a raw onion. The traveler's disgust and sympathy are both wrought upon to an extreme degree, while amid all the clamor and whining appeals the practiced eye pauses for a moment to note the picturesqueness of mingled colors and of ragged humanity. The same recalls to mind the broad stone steps leading up to the Capo di Monti from the Piazza di Spagna, in Rome, where the artists' models assemble, clothed in a "congress" of colors. When it is remembered that the violence of the winds which sometimes blow over these islands is such that in any other part of the world they would be called hurricanes, the successful results achieved by the Maltese gardeners and agriculturists appear more surprising. In order to furnish protection from these fierce winds, high and solid stone walls surround every grain, vegetable, and fruit field, all of which are purposely made small in area. These yellow walls, wearisome, monotonous, and unlovely to the eye, are often ten feet in height, not only sheltering, but also hiding vegetation, so that when the island is first observed from on shipboard, while a few miles away, it appears like a huge stone quarry. Nothing could possibly seem more uninviting. Under these circumstances, scarcely a tree or shrub of any sort is visible, with the exception of an occasional slim and so
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