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change in the baptismal name, but he would be no party to them. One day, a fine lady of the upper circle of society in St. Sampson, the wife of a rich retired ironfounder, said to Mess Lethierry, "In future, I shall call your daughter Nancy." "If names of country towns are in fashion," said he, "why not Lons le Saulnier?" The fine lady did not yield her point, and on the morrow said, "We are determined not to have it Deruchette; I have found for your daughter a pretty name--_Marianne_." "A very pretty name, indeed," replied Mess Lethierry, "composed of two words which signify--a husband and an ass."[4] He held fast to Deruchette. It would be a mistake to infer from Lethierry's pun that he had no wish to see his niece married. He desired to see her married, certainly; but in his own way: he intended her to have a husband after his own heart, one who would work hard, and whose wife would have little to do. He liked rough hands in a man, and delicate ones in a woman. To prevent Deruchette spoiling her pretty hands he had always brought her up like a young lady; he had provided her with a music-master, a piano, a little library, and a few needles and threads in a pretty work-basket. She was, indeed, more often reading than stitching; more often playing than reading. This was as Mess Lethierry wished it. To be charming was all that he expected of her. He had reared the young girl like a flower. Whoever has studied the character of sailors will understand this: rude and hard in their nature, they have an odd partiality for grace and delicacy. To realise the idea of the uncle, the niece ought to have been rich; so indeed felt Mess Lethierry. His steamboat voyaged for this end. The mission of Durande was to provide a marriage portion for Deruchette. FOOTNOTES: [4] A play upon the French words, _mari_ and _ane_. VIII "BONNIE DUNDEE" Deruchette occupied the prettiest room at the Bravees. It had two windows, was furnished with various articles made of fine-grained mahogany, had a bed with four curtains, green and white, and looked out upon the garden, and beyond it towards the high hill, on which stands the Vale Castle. Gilliatt's house, the Bu de la Rue, was on the other side of this hill. Deruchette had her music and piano in this chamber; she accompanied herself on the instrument when singing the melody which she preferred--the melancholy Scottish air of "Bonnie Dundee." The very spirit of night breat
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