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ve that it is not ignorantly careless, but learnedly needful. One other objection, and I have done. No man is an utter inexcusable, irremediable villain; there is a spot of light, however hidden, somewhere; and, notwithstanding the historian's picture, it may charitably be doubted whether we have made due allowance for his most reasonable prejudice even in Nero's case. Human nature has produced many monsters; but, amongst a thousand crimes, there has proverbially lingered in each some one seedling of a virtue; and when we consider the corruption of manners in old Rome, the idolatrous flatteries hemming in the prince, the universal lie that hid all things from his better perceptions, we can fancy some slight extenuation for his mad career. Not that it ever was my aim, in modern fashion, to excuse villany, or to gild the brass brow of vice; and verily, I have not spared my odious hero; nevertheless, in selecting so unamiable a subject, (or rather emperor,) I wished not to conceal that even in the worst of men there is a soil for hope and charity; and that if despotism has high prerogatives, its wealth and state are desperate temptations, whose dangers mightily predominate, and whose necessary influences, if quite unbiased, tend to utter misery. Now to introduce our _dramatis personae_, with their "cast,"--for better effect--rather unreasonably presumed. _Nero_--(Macready, who would impersonate him grandly, and who, moreover, whether complimented or not by the likeness, wears a head the very counterpart of Nero's, as every Numismatist will vouch,)--a naturally noble spirit, warped by sensuality and pride into a very tyrant; liberal in gifts, yet selfish in passion; not incapable of a higher sort of love, yet liable to sudden changes, and at times tempestuously cruel. _Nattalis_--(say Vandenhoff,)--his favourite and evil genius, originally a Persian slave, and still wearing the Eastern costume: a sort of Iago, spiriting up the willing Nero to all varieties of wickedness, getting him deified, and otherwise mystifying the poor besotted prince with all kinds of pleasure and glory, to subserve certain selfish ends of rapine, power, and licentiousness, and to avenge, perhaps, the misfortunes of his own country on the chief of her destroyers. _Marcus Manlius_--(who better than Charles Kean?--supposing these artistic combinations not to be quite impossible,)--a fine young soldier, of course loving the heroine, captain of Nero's b
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