r, and knew not why he
trembled; he thought it the ecstacy of devotion, the warm-gushing flood
of calmness, which prayer confers upon care confessed. But now, he sees
it, he knows it; there is, indeed, good cause: how miraculously the
white marble face grows into resemblance with _hers!_ the same sainted
look of delicate unearthly beauty, the same white cheek, so still and
unruffled even by a smile, the same turn of heavenly triumph on the lip,
the same wild compassion in the eye! Great God--he loves again!--that
staid, grave, melancholy man, loves with more than youthful fondness;
the image is now dearer than the most sacred; there is a halo round it,
like light from heaven: he adores its placid, eternal, changeless
aspect; if it could move, the charm would half dissolve; he loves it--as
an image! And then how rapturously joins he with the wondering choir of
more stagnant worshippers, while they yield to this substantial form,
this stone-transmigration of his love, this tangible, unpassionate,
abiding, present deity, the holy hymns of praise, due only to the unseen
God! How gladly he sings her titles, ascribing all excellence to her!
How tenderly falls he at her feet, with eyes lighted as in youth! How
earnestly he prays to his fixed image--_to_ it, not _through_ it, for
his heart is _there_! How zealously he longs for her honour, her worship
among men--hers, the presiding idol of that Gothic pile, the hallowed
Lady, the goddess-queen of Marrick! Stop--can he do nothing for her, can
he venture nothing in her service? Other shrines are rich, other images
decked in gold and jewels; there is yet an object for his useless life,
there are yet ends to be attained, ends--that can justify the means. He
longs for wealth, he plots for it, he dares for it: he plans lying
miracles, and thousands flock to the shrine; he waylays dying men, and,
by threatened dread of torments of the damned, extortionizes conscience
into unjust riches for himself; he accuses the innocent, and reaps the
fine; he connives at the guilty, and fingers the bribe. So wealth flows
in, and the altar of his idol is hung with cloth of gold, her diadem is
alight with gems, costly offerings deck her temple, bending crowds kneel
to her divinity. Is he not happy? Is he not content? Oh, no: an
insatiate demon has possessed him; with more than Pygmalion's insanity,
he loves that image; he dreams, he thinks of that one unchanging form.
The marvelling brotherhood, credul
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