be hired. Nevertheless, I
seem to myself to have lighted on a rich and little-cultivated corner;
imagining that the subject is a good one, because still untouched,
founded on facts, and with amplifiable variations that border on the
probable. He that lionizes Stratford-on-Avon, will remember in one of
the Shakspearian museums of that classic town, the pictured trance of
hapless

CHARLOTTE CLOPTON,

as it was limned in death-seeming life. He will be shown the tombs of
her ancient family in Stratford church, and the door of that fatal
vault; he will hear something of her noble birth--her fine
character--her fascinating beauty--her short, innocent, eventful
life--her horrible death. Consider, too, the age and locality in which
she lived, Elizabethan, Shakspeare's; the great contemporary characters
that might be casually introduced; the mysterious suicide, in that dim
dreadful pool at the end of the terraced walk among the cropped yews, of
her poor only sister, Margaret; equalled only in the miserable interest
by that of Charlotte herself. And then for a plot: some darkly hinted
parricide of years agone, in the generation but one preceding, has dropt
its curse upon the now guiltless, but, by the law of Providence,
still-not-acquitted family; a parricide consequent on passionate love,
differing religions, and the Montague-and-Capulet-school of hating
feudal fathers--Theodore Clopton having been a Catholic, Alice Beauvoir
a Protestant; an introductory recountal of old Beauvoir's withering
curse on the Clopton family for Theodore's abduction of his daughter,
followed by the tragic event of the father and son, Cloptons', mutual
hatred, and the former found in his own park with the broken point of
his son's sword in him, the latter flying the realm: the curse has slept
for a generation; and now two fair daughters are all that remain to the
high-bred Sir Clement and his desponding lady, on whom the Beauvoir
descendant, a bitterest enemy, takes care to remind them the hovering
curse must burst. This Rowland Beauvoir is the villain of the story,
whose sole aim it is, after the fulfilment of his own libertine wishes,
to see the curse accomplished: and Charlotte's love for a certain young
Saville, whom Beauvoir hates as his handsome rival in court patronage,
as well as her pointed refusal of himself, gives new and present life to
his ancestral grudge. The lovers are espoused, and to make Sir Clement's
joy the greater, Savi