e less
abortive. But I doubt if my glorification of Greek aphorisms ever
reaches any higher apotheosis than the airy castles sketchily built
above.
* * * * *
Similar in idea with these last tales, but essentially more sacred as to
character, would be an illustrative elucidation of the seven last
sayings of our Blessed Lord, when dying in the crucifixion. The Romish
Church, in some of her imposing ceremonies, has caused the sayings to be
exhibited on seven banners, which are occasionally carried before the
holy cross: from this I probably derived the idea of detaching these
sentences from the frame-work of their contexts, and regarding them in
some sort as aphorisms. For a name, not to be tautologous, should be
proposed a Graeco-Anglicism,
THE HEPTALOGIA;
OUR SAVIOUR'S SEVEN LAST SAYINGS.
The addition of "hagia" might be rather too Attic for English ears; and
I know not whether "the Sacred Heptalogia" would not also be too
mystical. This series of tales is capable of like illustration with the
last, except in the matter of portraits, unless indeed some eminent
fathers of the church, or some authenticated enamels, gems, or coins,
(if any,) displaying our Lord's likeness, served the purpose; and of
course the character of the stories should not be much in dissonance
with the sacredness of the text. The first might well enforce
forgiveness of enemies, especially if their hatred springs from
misapprehension. "Father, forgive them; for they know not what they do:"
many a true story of religious persecution, as of Inquisitorial
torture, exacted by sincere bigotry, and endured by equally sincere
conviction, would illustrate the prayer, and the scene might be laid
among Waldensian saints and the friars of Madrid. The second tale might
enlarge upon a promised Paradise, the assurance of pardon, and the
efficacy of repentance: the certainty of hope and life being
co-extensive, so that it might still be said of the seeming worst, the
brigand and the blasphemer, "To-day shalt thou be with me in Paradise;"
a story to check presumption, while it encourages the humility of
pentitent hope; the details of a prodigal's career and his return, say
a falsely philosophizing German student, or the excesses of some not
ungenerous outburst of youthful wantonness; haply, a fair and passionate
Neapolitan. The third might well regard filial piety: "Behold thy
son--behold thy mother:" illustrated per
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