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e less abortive. But I doubt if my glorification of Greek aphorisms ever reaches any higher apotheosis than the airy castles sketchily built above. * * * * * Similar in idea with these last tales, but essentially more sacred as to character, would be an illustrative elucidation of the seven last sayings of our Blessed Lord, when dying in the crucifixion. The Romish Church, in some of her imposing ceremonies, has caused the sayings to be exhibited on seven banners, which are occasionally carried before the holy cross: from this I probably derived the idea of detaching these sentences from the frame-work of their contexts, and regarding them in some sort as aphorisms. For a name, not to be tautologous, should be proposed a Graeco-Anglicism, THE HEPTALOGIA; OUR SAVIOUR'S SEVEN LAST SAYINGS. The addition of "hagia" might be rather too Attic for English ears; and I know not whether "the Sacred Heptalogia" would not also be too mystical. This series of tales is capable of like illustration with the last, except in the matter of portraits, unless indeed some eminent fathers of the church, or some authenticated enamels, gems, or coins, (if any,) displaying our Lord's likeness, served the purpose; and of course the character of the stories should not be much in dissonance with the sacredness of the text. The first might well enforce forgiveness of enemies, especially if their hatred springs from misapprehension. "Father, forgive them; for they know not what they do:" many a true story of religious persecution, as of Inquisitorial torture, exacted by sincere bigotry, and endured by equally sincere conviction, would illustrate the prayer, and the scene might be laid among Waldensian saints and the friars of Madrid. The second tale might enlarge upon a promised Paradise, the assurance of pardon, and the efficacy of repentance: the certainty of hope and life being co-extensive, so that it might still be said of the seeming worst, the brigand and the blasphemer, "To-day shalt thou be with me in Paradise;" a story to check presumption, while it encourages the humility of pentitent hope; the details of a prodigal's career and his return, say a falsely philosophizing German student, or the excesses of some not ungenerous outburst of youthful wantonness; haply, a fair and passionate Neapolitan. The third might well regard filial piety: "Behold thy son--behold thy mother:" illustrated per
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