2-3/4 and 4-1/2 x 3-1/2 inches respectively.

IV. La Lecon (Madame Bovary). 5-1/4 x 6-3/4. Chinese white and dark
sepia wash. First published in "Second Book," and again in "Later
Work."

V. L'Abbe Birotteau (Cure de Tours). 3 x 2 inches. Pen-and-ink
with wash, on pale greenish paper.

VI. L'Abbe Troubert (Cure de Tours). 5 x 2-3/4 inches. Dark sepia wash.

VII. Madame Bovary. 5-5/8 x 3-1/8 inches. Pencil. First published in
"Second Book," and again in "Later Work."

VIII. Sapho (Daudet). Wanting. Over its place has been gummed another
drawing, also wanting, its title written at the foot,
_L'homme qui rit_.

IX. Le Cousin Pons. 5-1/8 x 2-3/8 inches. Indian ink.

X. Portrait of Alphonse Daudet. 2-3/4 x 2-3/16 inches. Indian ink on
pale blue paper.

XI. Watteau, Ma Cousine (Cousin Pons). 5-1/2 x 2-3/4 inches. Pen-and-ink
with wash on pale grey toned paper.

XII. Mademoiselle Gamard (Cure de Tours). 3-1/8 x 2-1/8 inches. Indian
ink wash.

XIII. Madame Cibot (Cousin Pons). 4 x 2-7/8 inches. Indian ink wash.

XIV. (Jack) Attendons! 3-5/8 inches high, irregular silhouette.
Dark sepia wash.

XV. Jeanne D'Arc, the childhood of. 9 x 3-3/8 inches. Sepia and madder
wash on toned paper. First published in "Second Book," again in
"Later Work."

XVI. Frontispiece to Balzac's "Contes Drolatiques." 6-3/4 x 4-1/8 inches.
Drawn after the manner of Richard Doyle. First published in
"Second Book," again in "Later Work."

XVII. Phedre (Act ii. scene 5). 3-7/8 x 3-1/2 inches. Pencil and colours.
First published in "Second Book," again in "Later Work."

XVIII. Manon Lescaut, three-quarter length, woman to left, with fan.
5-1/4 x 3-1/2 inches. Water-colour on grey paper. First published
in "Second Book," again in "Later Work."

XIX. Beatrice Cenci. 6-1/8 x 2-3/4 inches. Pencil and sepia wash. First
published in "Second Book," again in "Later Work."

Unless otherwise stated as above, the works in this collection are
unpublished; all were executed 1889-90.

LATER WORK.

14. FRANCESCA DI RIMINI (Dante). Head in profile, to left; pencil.
First published in "Later Work."

15. DANTE AT THE COURT OF CAN GRANDE DELLA SCALA. Circular design,
in pencil. (Property of Miss H. Glover.)

16. DANTE IN EXILE. Dante seated on the left, the