Work,"
where it is described as "hitherto unpublished." 1895.

127. TITLE-PAGE ORNAMENT, standing nude figure playing double-bass, black
background. First published in "Early Work."

128. PORTRAIT OF MISS LETTY LIND in "The Artist's Model." Pen-and-ink
outline. Published in "Early Work." (Property of Miss Letty Lind.)

129. ATALANTA IN CALYDON, full-length figure to right; pen-and-ink and
wash. First published in "Early Work." (Property of John Lane, Esq.)

130. COVER DESIGN FOR FAIRY TALES by Count Hamilton, to be published
by Messrs H. Henry & Co., Ltd.

131. BALZAC'S "LA COMEDIE HUMAINE," design (head, full face) for front side
and another for the reverse of cover. Reproduced in "Later Work."

132. THE BROOK TRILLS OF PERNICIOUS BY RICHARD LE PHILISTIENNE, title-page
to burlesque, that of "The Book Bills of Narcissus," by Richard le
Gallienne. Unpublished. (Property of J. M. Dent, Esq.)

133. A SELF-PORTRAIT, grotesque outline profile to left, with diminutive
silk hat, from the fly-leaf of an envelope in the possession of
J. M. Dent, Esq. Unpublished.

134. THE SHAVING OF SHAGPAT, by George Meredith, small sketch to
illustrate, in pen-and-ink, contained in a letter to Frederick
H. Evans, Esq. Unpublished.

135. AN EVIL MOTHERHOOD, by Walt Ruding (Elkin Mathews, 1896), frontispiece
to. Pen-and-ink. Reproduced in "Early Work."

136. CAFE NOIR. Another design for the frontispiece of the last-named book,
pen-and-ink and wash; bound up in six review copies only, and then
recalled. Reproduced in "Early Work." (Property of M. Jean Ruelle.)

137. TITLE-PAGE, an architectonic design. First published as the title of
"Early Work" (John Lane, 1899). (Property of John Lane, Esq.)

138. ORNAMENTAL TITLE-PAGE FOR "THE PARADE." Messrs H. Henry & Co., Ltd.,
1896. Reproduced in "Later Work."

139. TAIL-PIECE to Catalogue of Lord Carnarvon's Library, 1896.

140. SAPPHO, by H. T. Wharton. (John Lane, 1896.) Design for cover in gold
on blue. Reproduced in "Early Work." (Property of John Lane, Esq.)

141. PIERROT'S LIBRARY. (John Lane, 1896.) Design for title-page of, two
designs for end papers, printed in olive green; design for front
cover and vignette for reserve cover, printed in gold on red cloth.
Reproduced in "Early Work." (Property of John Lane, Esq.)

142. LOVE ENSHRINED IN A HEART IN THE SHAPE OF A MIRROR, pen-and-ink.
First