blisher's Trade-mark for Leonard Smithers. First published in
"Savoy" Prospectus. The same, name omitted, appears in "Later
Work" with the title of "Siegfried," 1895.

THE SAVOY, No. 1, January 1896. (Leonard Smithers.)

V. Cover design, in two states. The original was suppressed because
it depicted too realistically the contempt of the child in the
foreground for the "Yellow Book," with which the artist had
recently ceased to be connected. The revised version was
republished in "Fifty Drawings," and again in "Later Work."
(Property of Mrs George Bealby Wright.)

VI. Title-page. Repeated as title-page in No. 2, and republished in
"Later Work."

VII. Drawing to face Contents. Caricature of John Bull. Republished
in "Later Work."

VIII. The Three Musicians. Illustration of the artist's poem, same
title. Republished in "Fifty Drawings" and "Later Work."

IX. Another drawing to illustrate the above, but withheld.
It appeared for the first time in "A Book of Fifty Drawings,"
1897. Republished in "Later Work" and "Under the Hill."

X. Tailpiece to the above. Republished in "Later Work" and "Under
the Hill."

XI. The Bathers (on Dieppe Beach). Republished in "Fifty Drawings"
and "Later Work."

XII. The Moska. This subject was inspired by the children's dance at
the Casino, Dieppe. Republished in the _Idler_ Magazine, March
1897, and again in "Later Work." (Property of Mrs Edmund Davis.)

XIII. The Abbe. This and the two designs which follow appeared as
illustrations to "Under the Hill," a romantic novel, by Aubrey
Beardsley. Republished in "Later Work." All the illustrations
of "Under the Hill" reissued with text in a volume bearing same
title. John Lane, 1904.

XIV. The Toilet of Helen. Republished in "Fifty Drawings" and "Later
Work."

XV. The Fruit Bearers. Republished in "Later Work."

XVI. A large Christmas Card, in black-and-white. Madonna, with
fur-edged, richly-flowered mantle. Issued together with, but
not bound in, the book. Republished in "Fifty Drawings" and
"Later Work."

THE SAVOY. No. 2. April 1896.

XVII. Cover Design. Republished in "Later Work."

XVIII. A Foot-note. (Fancy portrait of the