rty of
Dr Rowland Thurnam.) 1891.

28. WITHERED SPRING. Decorative composition in Indian ink. Catalogued in
"Fifty Drawings" as "Lament of the Dying Year." (The motif of the
central part was subsequently adapted for a vignette in the "Morte
Darthur," Book I. chap. xii.) First published in "Later Work."
(Property of Dr Rowland Thurnam.)

29. I. PERSEUS. Pen-and-ink and light wash. Design for an upright panel,
with standing nude figure, above it a frieze of smaller figures.
18 x 6-3/4 inches. First published in "Early Work." (Property of
Frederick H. Evans, Esq.)

II. A pencil sketch of two figures, unfinished, on the reverse of the
preceding. Published in "Early Work."

30. L'ABBE MOURET. Decorative design for frontispiece of Zola's "La Faute
de l'Abbe Mouret." Ink and wash. First published in "Under the Hill."
John Lane. 1904. (Property of John Lane, Esq.)

31. HAMLET PATRIS PANEM SEQUITUR. Pencil drawing. Printed in red, as
frontispiece to _The Bee_, the Magazine of the Blackburn Technical
School, November 1891; reprinted, in black, in "Second Book," again
in "Early Work." Latter part 1891.

32. PERSEUS AND THE MONSTRE. Pencil design, 5-1/2 x 7-1/2 inches. First
appeared in illustration of an article entitled, "The Invention of
Aubrey Beardsley," by Aymer Vallance, in _The Magazine of Art_, May
1898; again in "Early Work," (Property of Aymer Vallance, Esq.) 1891.

33. THE PROCESSION OF JEANNE D'ARC. Pencil outline, treatment inspired by
Mantegna, 19-1/2 long by 6-1/2 inches high. First published in
_Magazine of Art_, May 1898; again as double page in "Second Book";
again, reduced, in collotype, in "Early Work." (Property of Frederick
H. Evans, Esq.) 1891-2.

A pen-and-ink version of the Procession, 30 inches long by 7 high,
was made subsequently, about the Spring of 1892, for Robert Ross,
Esq. Published in _The Studio_; see below.

34. THE LITANY OF MARY MAGDALEN. Pencil drawing. First published in
"Second Book," again in "Later Work." (Formerly Property of More
Adey, Esq.) 1892.

35. THE VIRGIN AND LILY. Madonna standing in front of a Renaissance niche
and surrounded by Saints, among them St John Baptist kneeling.
Pencil outline. Reproduced in photogravure in "Later Work."
(Formerly the property of the late Rev. Alfred Gurney, afterwards
in the possession of his son, the late Hampden