cover of Aubrey
Beardsley's own copy of "Tristan und Isolde." Two reproduced in
"Later Work." (Property of Frederick H. Evans, Esq.)

117. MAX ALVARY AS "TRISTAN" in Wagner's opera "Tristan und Isolde,"
half-length profile to left, pen-and-ink and wash with unusual
monogram signature. 10 x 5-1/2 inches. First published in "Aubrey
Beardsley's Drawings, a catalogue and a list of criticisms," by
A. E. Gallatin (New York, 1903). (Formerly the property of Rev.
G. H. Palmer, now of A. E. Gallatin, Esq.)

118. FRAU KLAFSKY AS "ISOLDE" in above-named opera, pen-and-ink and pale
green water-colour, 13 x 4-3/4 inches. First published in the _Critic_
(New York), December, 1902. (Formerly the property of Rev. G. H.
Palmer, now of A. E. Gallatin, Esq.)

119. ISOLDE; autolithograph in scarlet, grey, green, and black on white;
supplement to _The Studio_, October 1895.

120. WOMAN RECLINING IN A MEADOW BY THE BORDER OF A LAKE, LISTENING TO A
FAUN READING OUT OF A BOOK TO HER. Oblong design in ink on white; a
variant of the design for wrapper of Leonard Smithers' Catalogue,
No. 3. First published in _The Studio_, May 1898, again in "Early
Work," where it is described as "hitherto unpublished." (Property
of John Lane, Esq.) 1895.

121. DESIGN FOR WRAPPER OF "CATALOGUE OF RARE BOOKS," NO. 3. (Leonard
Smithers, September 1895.) The same figures as in the last-named,
but the landscape has an urn and additional trees to adapt the
design to upright shape. Black on pale blue-green paper.

122. CHOPIN BALLADE III., illustration for. Woman rider, mounted on a
prancing white horse to left. Wash drawing. First published in _The
Studio_, May 1898, in half tones of grey, with deep purplish black;
again in "Second Book." (Property of Charles Holme, Esq.) 1895.

123. CHOPIN'S NOCTURNES, frontispiece to. Pen-and-ink and wash. First
published in "Early Work." (Property of John Lane, Esq.)

124. EARL LAVENDER, by John Davidson (Ward & Downey, 1895), design for
frontispiece to. Woman scourging a kneeling, barebacked figure.
Pen-and-ink outline. Reproduced in "Early Work." (Property of John
Lane, Esq.)

125. YOUNG OFEG'S DITTIES, by George Egerton (John Lane, 1895), title-page
and cover design for.

126. MESSALINA, with another woman on her left, black-and-white, with black
background. First published in "Second Book," again in "Early